California State University, Fresno
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Art - Courses



You are in the official 2002-2003 General Catalog
for California State University, Fresno.

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Department of Art and Design

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COURSES

 

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COURSES

Art and Design (ARTDS)

9T. Studio Topics in Art and Design (1-3; max total 9 if no topic repeated)
Specific introductory studio processes not covered in regular course offerings. Areas offered may be drawing, painting, ceramics, sculpture, photography, printmaking, design, crafts, motion picture, art education, computer graphics, graphic design, and interior design.

10T. Lecture Topics in Art and Design (1-3; max total 9 if no topic repeated)
Specific lecture area not normally covered in regular course offerings in art, graphic design, or interior design. Topics may include African American art, aesthetics of electronic imagery, careers in art and design, portfolio preparation, interior design, and graphic design.


Art History (ARTH)

ART HISTORY SURVEYS

10. The Ancient and Primitive World (3)
An introductory survey to the arts of the prehistoric and primitive realms, including Western traditions (Egyptian, Greek, Roman, Medieval) through the mid-14th century. G.E. Breadth C1. (CAN ART 2)

11. The Modern World (3)
An introductory survey of Western art from the Renaissance through the 19th century, including Mannerism, Baroque, Rococo, Neoclassicism, and Impressionism from the mid-14th century to the end of the 19th century. G.E. Breadth C1. (CAN ART 4)

109T. Topics in Art History (1-3; max total 3 if no topic repeated)
Specific areas in art history not normally covered in the regular course offering. Possible topical areas include Arts of the South Pacific, Buddhism, Chinese Painting, Happenings, History of Modern Art through Film, Museums and Monuments of Europe, Fountains of Baroque Rome, Popes and Patrons of Renaissance Europe, 17th Century Holland, and the Rise of the Secular in Art.

WESTERN ART SURVEYS

120. Italian Renaissance (3)
Artistic revival of classical antiquity in Italy between 1300-1550.

122. Northern Renaissance (3)
Painting and sculpture from the Netherlands, France, and Germany between 1300-1550.

124. Italian Baroque (3)
Baroque art from its conception in Rome to its dispersal throughout Italy from 1600-1750.

126. Northern Baroque (3)
Diffusion of Italian Baroque art to the Netherlands, France, Spain, Germany, and Austria between 1600-1750.

131. Nineteenth Century Modern Art (3)
A more developed critical look at modern art in its relationship to the needs of the social political context of the 19th century.

132. Twentieth Century Modern Art (3)
A more developed critical look at modern art in its relationship to the needs of the social political context of the 20th century, up to the mid-1950s.

134. America (3)
Art from colonial times to 1945.

136. Contemporary Art (3)
A comprehensive survey of contemporary art focusing on the issue of postmodernism from the mid-1950s onward.

PRIMITIVE ART SURVEYS

160. Africa (3)
Sculpture, painting, architecture, festivals, and personal adornment of sub-Saharan Africa.

ART OF THE AMERICAS SURVEYS

170. Native North American (3)
Arts of the indigenous North American cultures from the Arctic to the American Southwest.

173. Pre-Columbian Mexico (3)
Art of the Olmec through the Aztec cultures.

175. Pre-Columbian Andes (3)
Art of the Chavin through the Inca cultures.

190. Independent Study (1-3; max total 6)
See Academic Placement - Independent Study. Approved for SP grading.


Studio (ART)

1. Art Forms (3)
Slide lecture-discussion. An introduction to art/seeing and appreciating the visual world around us. G.E. Breadth C1. (Course fee, $5)

13. Design (3)
Exploration of basic art concepts through two- and three-dimensional design problems. Field trips may be required. G.E. Breadth E1. (6 lecture-lab hours)

20. Drawing (3)
Introductory experiences in drawing using observation, imagination, and expressive means. Fundamentals of form, space, techniques, and composition will be studied. (6 lecture-lab hours) G.E. Breadth C1. (CAN ART 8)

21. Figure Drawing (3)
Introductory course in the basic concepts of figure drawing problems and techniques. Drawing from the nude model, both male and female, is basic to this course. (6 lecture-lab hours) (Course fee, $35)

24. Printmaking (3)
Introduction to the printmaking processes of intaglio, lithography, and woodblock printing. (6 lecture-lab hours) (Course fee, $15) (CAN ART 20)

25. Lithography (3)
Studio class offering printing of drawings created on stone and metal plates in the planographic process. Printing in black ink as well as color will be covered. (6 lecture-lab hours) (Course fee, $15)

26. Intaglio Processes (3)
Studio class offering in printing in the intaglio process using such techniques as etching, drypoint, aquatint, and soft-ground on metal plates. Printing in black ink as well as color will be covered. (6 lecture-lab hours) (Course fee, $30)

27. Screenprinting (3)
Investigation into techniques of printing with a screen. Paper, film, tusche, and glue techniques for creating printing stencils will be covered. (6 lecture-lab hours) (Course fee, $30)

30. Photography (3)
Introductory course in black and white photography. Basic theoretical and practical aspects of the photographic process relevant to the medium as an art form. (2 lecture, 3 lab hours) (Course fee, $25) (CAN ART 18)

37. Macintosh Art (3)
Not open to students with credit in ART 137. Introduction and exploration of some of the Macintosh computer applications that are fundamental to visual arts. May include HyperCard animation, Adobe Illustrator, and Adobe Photoshop. (6 lecture-lab hours) (Formerly ART 137)

40. Painting (3)
Introduction to painting processes through creative experiences and critiques. Emphasis on concepts and processes of contemporary painting. G.E. Breadth C1. (6 lecture-lab hours) (CAN ART 10)

45. Watercolor (3)
Introduction to techniques in watercolor painting with emphasis on transparencies. (6 lecture-lab hours)

50. Beginning Sculpture (3)
Introductory course in the experiential application of the methods and materials of sculpture. Creative expression and exploration of sculptural form through ideas and aesthetic concepts. Studio safety. G.E. Breadth C1. (6 lecture-lab hours) (CAN ART 12)

60. Beginning Ceramics (3)
A survey of ceramic materials and their functions in the arts. Basic studio practices in the handbuilding processes, glazing, and throwing on the potter's wheel. (6 lecture-lab hours) (Course fee, $15) (CAN ART 6)

70. Crafts (3)
Fundamental exploration of several media (may include any of fiber, wood, leather, clays, paper) with emphasis on understanding the potential of the various materials for crafts. Field trips may be required. (6 lecture-lab hours)

100T. Topics in Art (1-3; max total 3 if no topic repeated)
Specific lecture area not normally covered in regular course offerings or in art history. Topics may include but are not limited to: African American art, Chicano art, cinema art, urban aesthetics, formalism in art, economics of art, careers in art, portfolio preparation.

101. Content and Form (3)
Introduces students to the problems of the modern/postmodern debate through first, a historical analysis of structuralism and poststructuralism, and second, the application of these ideas to art production.

102. Ideas of Visual Culture: Art, Media, and the Computer (3)
Prerequisites: G.E. Foundation and G.E. Breadth Area C. Examines visual culture in the form of video, film, new works in visual art, the computer, and visual spectacles in contemporary culture. G.E. Integration IC.

103. Guest Artists (3; max total 9)
Seminar with experienced guest artists.

106. Art Tours (3; max total 6)
Explore the extraordinary art and artistic experience in California by touring museums and galleries in Los Angeles and San Francisco. Two weekend trips include exposure to diverse collections of art in the state. (Course fee, $220)

107. 2-D Computer Art (3; max total 9)
Prerequisite: ART 20 or equivalency. ART 13 and ART 40 recommended. Introductory 2-dimensional computer art integrating painting, drawing, and design graphics. (6 lecture-lab hours) (Course fee, $35)

109T. Topics in Studio Art (1-3; max total 3 if no topic repeated)
Prerequisite: permission of instructor. Specific advanced studio processes not normally covered in regular course offerings. Areas offered may be drawing, painting, ceramics, sculpture, photography, printmaking, design, crafts, motion-picture, art education, computer graphics. (6 lecture-lab hours) (Course fee variable)

112. Gallery Techniques (3; max total 9)
Introduction to museum practices related to exhibition selection, design, and installation techniques. Field trips, lectures, projects, and critiques. (6 lecture-lab hours)

113. Design (3; max total 9)
Prerequisite: ART 13. Continuation of the exploration of two- and three-dimensional design problems. (6 lecture-lab hours)

116. Interaction of Color (3)
Interaction of color as developed by Joseph Albers; basic design principles in connection with color work. (6 lecture-lab hours)

117. 3-D Computer Art (3; max total 9)
Prerequisite: ART 107. Introductory 3-dimensional computer art integrating video-animation, sculpture, and design. Selected emphasis will be determined by instructor. (6 lecture-lab hours) (Course fee, $35)

120. Drawing (3; max total 9)
Prerequisite: ART 20. Investigation of advanced concepts through the techniques of the drawing medium. (6 lecture-lab hours)

121. Figure Drawing (3; max total 9)
Prerequisite: ART 21. The human figure and its relevancy to advanced drawing concepts and techniques, emphasis on individual exploration in studio problems. Drawing from the nude model, both male and female, is basic to this course. (6 lecture-lab hours) (Course fee, $35)

125. Lithography (3; max total 9)
Prerequisite: ART 24 or 25. Studio class designed for advanced work in stone and metal plate printing in both black as well as color inks. Emphasis placed on imagery development. (6 lecture-lab hours) (Course fee, $30)

126. Intaglio Processes (3; max total 9)
Prerequisite: ART 24 or 26. Studio class designed to offer advanced work in intaglio printing processes such as etching, drypoint, and aquatint in black ink as well as color. Multiple plate printing will also be covered. Emphasis placed on imagery development. (6 lecture-lab hours) (Course fee, $30)

127. Screenprinting (3; max total 9)
Prerequisite: ART 27. Investigation into techniques of screenprinting. Paper, film, tusche, glue, and photo techniques for creating printing stencils will be covered. Emphasis placed on imagery development. (6 lecture-lab hours) (Course fee, $30)

130. Photography (3; max total 9)
Prerequisite: ART 30. Advanced photography. Possible emphasis: black and white, color, history and appreciation, and individual production. (6 lecture-lab hours)

133. Alternative Imagery in Photography (3; max total 9)
Prerequisite: ART 30. Approaches to non-traditional photography. Emphasis on producing personal imagery. (6 lecture-lab hours)

140. Intermediate Painting (3)
Prerequisite: ART 40. Individual investigation of advanced aesthetic concepts; continued search into personal direction. (6 lecture-lab hours)

141. Advanced Painting (3; max total 9)
Prerequisite: ART 140. Designed primarily for students with two or more semesters of experience in painting. Emphasis on individual involvement in the painting process aiming toward advanced formal and technical expression. (6 lecture-lab hours)

145. Watercolor (3; max total 9)
Prerequisite: ART 45. Painting with emphasis on transparencies. (6 lecture-lab hours)

152. Intermediate Sculpture (3)
Prerequisite: ART 50. Continued investigation in the experiential application of selected methods and materials of sculpture. Emphasis on promoting a greater awareness of sculptural form and development of ideas and aesthetic concepts. (6 lecture-lab hours)

153. Advanced Sculpture (3; max total 9)
Prerequisite: ART 152. Individual involvement in the studio practice of sculpture. Emphasis focused on conceptual development, refinement of technique, choice of materials, professional presentation, and portfolio. (6 lecture-lab hours)

155. Sculpture: Foundry (3; max total 9)
Prerequisite: ART 50 or permission of instructor. Foundry techniques: mold-making, wax sculpting, metallurgical technology, and patination. Research of historical and contemporary approaches to the art of metalcasting. (6 lecture-lab hours) (Course fee, $50) (Formerly ART 151)

160. Intermediate Ceramics (3; max total 9)
Prerequisite: ART 60. Emphasis will be on promoting a greater awareness of form as developed on the potter's wheel. A concentrated study of surface treatments and their integration with clay forms. (6 lecture-lab hours) (Course fee, $15)

161. Advanced Ceramics (3; max total 9)
Prerequisite: ART 160. Advanced study in ceramic art. Individual projects in selected ceramic areas with emphasis on showing and portfolio presentation of work. (6 lecture-lab hours) (Course fee, $15)

165. Ceramic Glazes (3; max total 9)
Prerequisites: ART 160, permission of instructor. Concentrated study in glazes through the empirical methods with some discussion on historical and technical integration of glazes with clay forms. (6 lecture-lab hours) (Course fee, $25)

166. Glass Blowing Studio (3; max total 9)
Prerequisites: ART 13, 20, and 60, or permission of instructor. A course in studio glass blowing techniques with technical information on glass compositions, furnace design, and construction. (6 lecture-lab hours) (Course fee, $50)

170. Crafts (3; max total 9)
Prerequisite: ART 70. Advanced design in a variety of materials. Study of contemporary designer craftsmen. (6 lecture-lab hours)

171. Textile Design: Dyeing and Printing (3; max total 9)
Design relating to fabrics, tie dye, batik, and silk screen. Field trips may be required. (6 lecture-lab hours) (Course fee, $15)

175. Jewelry and Metalsmithing (3; max total 12)
Designing and fabricating articles of adornment and function using copper, brass, pewter, nickel-silver, sterling, and gold. Forging, fabricating, fusing, raising, enameling, electroplating, stone setting, and casting. Design, technique, and craftsmanship emphasized. (6 lecture-lab hours) (Course fee, $20)

179. Development of Artistic Expression (3; max total 9)
Art materials and techniques, as they apply to the elementary school curriculum; introduction to current philosophies in art education, theories of the development phases of artistic expression in children. Field trips may be required. (6 lecture-lab hours) (Course fee, $15)

182. Large Format Photography (3; max total 9)
Prerequisite: ART 30 or equivalent and permission of instructor. Study of the large format camera and its creative application. Emphasis on individual assistance in both field and laboratory work. Introduction to selective exposure and development control, optical effects, and applied compositional design. (2 lecture, 3 lab hours) (Course fee, $25)

183. Field Studies in Photography (3; max total 12)
Prerequisite: ART 30 or equivalent and permission of instructor. Individual formulation of exploratory multi-image essays produced on location. Emphasizes individual conceptual goals and acquiring communicative skills appropriate to medium. Introduction to photographic theory and its practical application to individual creative objectives. (2 lecture, 3 lab hours) (Course fee, $25)

185. Color Photography (3; max total 9)
Prerequisite: ART 30 or equivalent and permission of instructor. Study of unique attributes of color in design and production of photographic prints. Multiformat color printing. Directed exploration of color both conventional and experimental. Monochromatic and multichrome printing utilizing the camera and other printmaking sources. (2 lecture, 3 lab hours) (Course fee, $25)

190. Independent Study (1-3; max total 6)
See Academic Placement - Independent Study. Approved for SP grading. (Course fee, $30)

198. Internship in Art (1-6; max total 6)
Prerequisites: permission of instructor and sponsoring agency. Experience in art related professions with agency under the Department of Art and Design supervision. Maximum credit toward an art major, 6 units. CR/NC grading only. (Minimum of 3 field hours per week per unit.)


 

GRADUATE COURSES

(See Course Numbering Systems.)

Art (Art)

220T. Topics in Studio Processes (3; max total 9)
Prerequisite: permission of instructor. Investigation of advanced studio topics selected by the department. Coursework includes studio productions, their critiques and evaluations.

230. Seminar in Art Theory (3; max total 9)
Prerequisite: permission of instructor. Theories of the visual arts as developed by artists, critics, and philosophers, and their application to art criticism in our time. Oral presentation and defense of critical papers required. Meets the graduate writing skills requirement.

240. Seminar in Art Studio (3; max total 15, max 9 in one area)
Prerequisite: permission of instructor. Work individually with selected staff in chosen area of concentration. Concurrent obligation to meet regularly scheduled seminars for group progress reports and critiques.

241. Graduate Painting (3; max total 6)
Prerequisite: ART 141 or portfolio for review. Studio course in painting for graduate students. Selected concepts and problems in contemporary painting. Emphasis on individual exploration and development of personal direction. (6 lecture-lab hours)

253. Graduate Sculpture (3; max total 9)
Prerequisite: ART 153 or submission of portfolio for review. Faculty guided independent research and studio practice. Includes consultation, critiques, and portfolio development. Relates sculptural form to ideas, aesthetic concepts, and contemporary issues. Emphasis on professionalism and personal direction. (6 lecture-lab hours)

260. Seminar in Art History (3; max total 9)
Prerequisites: 6 units of upper-division art history and permission of instructor. Research problems applicable to art history students or studio artists. Meets the graduate writing skills requirement.

290. Independent Study (1-3; max total 6)
See Academic Placement - Independent Study. Approved for SP grading. (Course fee, $30)

298. Project (2-6; max total 6)
Prerequisite: permission of the Art and Design Department graduate coordinator; see Criteria for Thesis and Project. Preparation, production, design, and installation of original works produced while engaged in the graduate program. Exhibit committee must approve of the work, location, and quality of installation. Abstract required. Approved for SP grading. (Course fee, $30)

299. Thesis (2-6; max total 6)
Prerequisite: permission of the Art and Design Department graduate coordinator; see Criteria for Thesis and Project. Preparation, completion, and submission of an acceptable thesis for the master's degree. Approved for SP grading.

 


IN-SERVICE COURSE

(See Course Numbering Systems.)

Art (Art)

343. Contemporary Approaches in Art (1-3; repeatable for credit)
Advanced processes not normally offered in regular courses. Areas may include art education, drawing, painting, ceramics, sculpture, photography, printmaking, design, crafts, and motion picture.

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