X:1
T:AILNRON1- Ellen a Roon
S:from 'The Beggar's Wedding, 1729
Q:1/4=120
L:1/4
M:3/4
K:A
EFG|A3/2 B/c|EFG|A3||Add|dAF|FAB/=c/|B3/2 A/B|Add|\
eAF|d/A/B/A/d/A/|B3/2 c/A|{c/d/}e3/2 d/c/B/|A2B|EFG|A3|]

X:2
T:AILNRON2- Aileen Aroon
S:Thumoth's 12 Scotch and 12 Irish Airs, c 1744
Q:1/4=120
L:1/4
M:3/4
K:D
AB{d/}c|{e/}d3/2 e/f|AB{d/}c|d3|A B/A/A/d/|\
e~e3/2f/|AB{d/}~c|d2f|(g/f/g/ a/)(g/a/)|gB~B|\
f/e/f/g/ (f/4g/4a/)|eAA|g/f/g/a/ ~g|f/e/f/g/ {g/}`f|\
(e/f/g/a/b/)g/|{f/}~e d/c/B/A/|~a2(b/4c'/4d'/)|\
b/a/g/f/e/c/|{e/}d3/2e/f|AB{d/}c|d3:|]
 
X:3
T:ALYCRK1- Song, 'No more, vain Virgins, boast your Power'
S:from 'Love in a Village', 1729
Q:1/4=120
L:1/4
M:C|
K:G
D/|DGG3/2 A/|G/F/G3/4A/4 G3/2 G/|A3/2 B/ A/B/A/G/|F3/2 G/A2|\
DGG3/2 A/|G/F/G3/4A/4G3/2 G/|B3/2 c/dd/c/|B3/2 c/d3/2 d/|\
edc3/2 B/|c3/2 B/ A3/2 B/|cB/c/d3/2 G/|F3/2 G/A3/2 D/|\
G3/2 F/ E3/2 D/|ED/C/D3/2 c/|Bc/d/AB/c/|~F2G3/2:|]
























X:5
T:ALYCRK3- Ally Croaker
S:from Riley's Flute Melodies, I, c 1815
Q:1/4=40
L:1/4
M:2/4
K:D
A|dd3/4d/4|d3/2d/|e/d/c/d/|(e3/4f/4)g/a/|(f3/4d/4)d/d/|\
d3/2 d/|(e/d/)c/d/|(e3/4f/4)g/z/|{f/g/}aa/a/|a3/2a/|b/a/g/f/|\
(e3/4f/4)g/z/|{e/f/}gg/g/|g3/2g/|a/g/f/e/|d3/4e/4f|\
d3/4d/4d3/4d/4|c3/2 d/4c/4|B3/2 c/4B/4|AA|g3/4g/4g/a/|\
(g f/) e/|f/d/g/e/|(c d/)|]

X:6
T:LRYGRGN- Larry Grogan
S:from single sheet song with music
N:natural's here are actually marked as flats 
Q:1/4=120
L:1/4
M:6/4
K:G
c|BGBBGB|AFAAFA|(B/c/)dBAFA|GGGGGc|BGBBGB|AFAAFA|\
(B/c/)dBAFA|GGGGG2|=fefedc|BcddBG|=fefefg|AcAAcA|\
=fefedc|BcddBG|(B/c/)dAFA|GGGGG|]

X:7
T:BLCKJKE- Black Joke
S:from single sheet song with music, c 1730
Q:1/4=120
L:1/8
M:6/8
K:G
D|D2FG2G|A2A A3/2G/ A|B3/2 c/ B B3/2 A/ G|A3/2 B/ A A2 G/ F/|\
G3E2D|D3/2 E/ F G2::B|B2d d3/2 e/ d|e3/2f/ g d2B|B2d d3/2e/ d|\
e3/2 f/ gd2B|c3/2 c/ a B3/2 B/ g|A3/2 B/ A A2G/ A/|\
B3/2 c/ B B3/2 A/ G|A3/2 B/ AA2 G/ F/|G3E2D|D3/2 E/ FG2|]
 
X:8
T:BYSKLKN- The Boys of Kilkenny
S:from Michael Kelly's single sheet issue
N:last 2 1/6 measures slightly altered after 1st verse
Q:1/4=120
L:1/8
M:6/8
K:Bb
f3/4 e/4|d3/2 c/ B G F F|G B B B2 B/ e/|e3/2 d/ c e d B|\
f3/2d/ d/ B/ c2 e|e3/2 d/ c e3/2 c/ B|f3/2 d/ B/ d/ .c2 B/ B/|\
d3/2 c/ B B G F|G B B .e2 f3/4 d/4|d3/2 c/ B B G F|G B B B2|]

X:9
T:YNDRMTN1-  On Yonder High Mountains
S:from 'An Astronomer's Wife'
Q:1/4=120
L:1/4
M:3/4
K:G mixolydian
G|cec/B/|cGG/G/|AcA|G2||G|cdc/B/|\
cdc/d/|ecA|G2||c|deB/c/|dec/d/|\
ecA|E2||G/G/|cdc/B/|cGG/G/|BcA|G2|]


X:10
T:YNDRMTN2- On yonder high Mountain
S:from 'Sylvia', 1731
Q:1/4=120
L:1/4
M:3/4
K:G
d|B3/2 A/B/c/|dG/F/G/A/|B/G/c/B/A/G/|A2d|B3/2 A/B/c/|dG/F/G/A/|\
B/G/c/B/A/G/|G2||B/c/|dde/f/|g/f/e/d/c/B/|g3/2 e/d/B/|A2c/d/|\
e=f/e/d/c/|dG/F/G/A/|B/G/c/B/A/G/|G2|]

X:11
T:CAPTMGN- Captain McCan [McKean/ Magan]
S:from 'The Beggar's Wedding', 1729
Q:1/4=120
L:1/4
M:6/4
K:Gm
G|GABB2d|cAFF2A|BdBcBA|GGGGG2::\
d|d3/2 e/dd2d|c3/2 d/cc2c|d3/2 e/dgfe|\
d(f2f2)d|fedf2d|cABc2A|BdBcA^F|GGGGG2|]

X:12
T:DRUMDB1- Drimen Duff
S:from B. Thumoth's '12 Scotch and 12 Irish Airs', c 1745
Q:1/4=80
L:1/4
M:3/4
K:A dorian
A/B/|{d/}.c2B|AGA/B/|{d/}.c2B|{B/}A2G/A/|B2A|\
GE3/4D/4E3/4G/4|gd/B/c/A/|.G2A/B/|{d/}c2B|AGA/B/|\
{d/}c2B|A2B|(c/B/c/d/e/)g/|a2g|.e/d/Bd/B/|A3:|]
 
X:13
T:DRUMDB2- Drimen Duff
S:Oswald's Caledonian Pocket Companion, bk, 8, c 1756
Q:1/4=80
L:1/4
M:3/4
K:Am
(A/B/)|{B}c2B|AE(A3/4B/4)|c2B|A2 (G/A/)|B2A|G(D/E/)(G/A/)|\
{A}B3/2 (c/ B/A/)|G2 (A3/4B/4)|c2B|AE(A3/4B/4)|c2B|A2E|\
cc/d/e/g/|{g}a2g|(e/d/e/)g/a/B/|A2|]

X:14
T:GRLBHND- Brighton Camp, or the Girl I left Behind Me
S:from 'Riley's Flute Melodies', I, #349 (1816)
Q:1/4=60
L:1/4
M:C
K:G
e/|d3/4B/4  B3/4A/4 B3/4G/4E|{D/E/F/}G/G/ G/4A/4 B/4c/4dB3/4d/4|\
d3/4B/4 B3/4A/4 B3/4G/4 E3/4G/4|F/A/ (D/4E/4F/4D/4)GG/::A/|\
B/d/e/f/ g/d/B/G/|B/d/e/g/ gf/a/|g/f/g/e/ d/B/ B/G/|\
F/A/ (D/4E/4F/4D/4)GG/|]

X:15
T:GRLBHND2- The girl I left behind me
S:Hime's Pocket Companion for the German Flute or Violin, c 1810
Q:1/4=120
L:1/8
M:2/4
K:G
g/f/|ec BA|BG EF|G3/2A/ G/A/B/c/|d3/2B/ gf/g/|\
ec BA|BE E/F/G/A/|B/A/G/F/ EF|G2G::e|ef gf/e/|fB Bd|\
ef g/f/e/d/|e3/2f/ gf/g/|ec BA|BE E/F/G/A/|\
B/A/G/F/ EF|G2G||B/c/|eB gf/g/|dB ba/g/|f/e/d/c/ B/A/G/F/|\
E/G/F/A/ G|]
  
X:16
T:GRNWALE1- Granuwail
S:from Cooke's Selection', c 1795 & Hime's, c 1805
Q:1/4=120
L:1/8
M:6/8
K:G dorian
(B/c/)|d3/2e/d cAd|G3/2A/G G2A/B/|cAB cAG|\
F3/2G/F F2(c/e/)|fed cAc|de^fg2 (a/g/)|\
fed cAd|G3/2A/G G2(d/e/)|fed cAc|de^fg2(a/g/)|\
fed cAd|G3/2A/G G2:]
  
X:17
T:GRNWALE2- Granuweal
S:Henry Beck flute MS, 1786, Lib. of Congress
Q:1/4=30
L:1/8
M:3/8
K:Gdorian
B/c/|def|d/c/B/A/G/^F/|G2G|G2A/B/|cAf|cAG|F2F|F2e|fff|\
ggg|af/g/a/f/|g2a|fef|d/c/B/A/E/^D/|G2G|G2::((3 d/e/f/)|^GdB|\
gab|G2G|A2 ((3c/d/e/)|fcA|fga|F2F|F2e|fff|ggg|af/g/s/f/|g2a|\
fef|d/c/B/A/G/^F/|G2G|G2:|]

X:18
T:LANGOLEE- New Langolee
S:from 'The Irish Fair', 1772
Q:1/4=120
L:1/8
M:6/8
K:D
A|A3/2B/c d3/2e/f|g3/2b/a g3/2f/e|fdB Ade|f3/2g/ed2::g|\
f2g2a2|{c'/}b2g {b/}afd|f3/2g/a b3/2c'/d'|ded cBA|\
G(bg) F(af)|ede fdB|{e/}dcB Aag|f3/2g/ed2|]

X:19
T:KLTBNDR- the Kettlebender
S:from 'The Muses Delight', 1754
Q:1/4=120
L:1/4
M:C
K:C
g|{f/}e3/2 d/cc|(B/c/)ddf|{f/}e3/2 d/cc|c3/2 d/ (e/f/) .g/ g/|\
ggaa|ffg g/ f/|eeff/ e/|c3/2 d/ (e/f/)g|\
"Chorus:"(cc)(BB)|AAGF|Egg2|e/c/ f/d/ (c/4B/4c/)|]

X:20
T:PATNEAL- Patrick O'Neil
S:from MS, c 1795-1800
Q:1/4=120
L:1/8
M:6/8
K:D
DFA d2e|fgf fed|cBc ABA|GEC C3|\
DFA d2e|fgf fed|cBc efg|fdd d3::\
f/g/|aba age|fgf fed|cBc ABA|GEC C2f/g/|\
aba age|fgf fed|cBc efg|fBBB2:|]
  
X:21
T:PEGDRBY1- Pretty Peggy of Derby, O!
S:Arnold's 'Music for ... Two to One, 1784
Q:1/4=120
L:1/4
M:C
K:C
G/|ccc/ B/ (A/G/)|cc3/4 c/4 c/B/ A/G/|c/ c/ c/ c/ c/ e/ g/ e/|\
(d/4B3/4) (G3/4A/4) Gz/||e/|f/ d/ e/ f/ (g/e/) d/ c/|\
c/ A/ G/ F/ (F/D/) (F/G/)|A/ B/ c/ A/ B/ .d/ B/ G/|\
A (c3/4d/)cz/|]

X:22
T:PEGDRBY2- Peggy of Derby. or the Dandys. Irish
S:Aird's 'Airs', III, (1788)
Q:1/4=120
L:1/4
M:C
K:D
A/|dd3/4d/4 d/c/B/A/|dd3/4e/4 d/c/B/A/|dd3/4d/4 d3/4f/4a/f/|\
e/c/A3/4B/4 A3/2::f/|g3/4e/4f/g/af/d/|\
d/4B3/4 A3/4G/4 G3/4F/4G/A/|B3/4c/4d/B/ c/e/c/A/|\
F/A/ d/c/ d3/2:|]

X:23
T:PEGDRBY3- Peggy Derby or Dandy O
S:from J. Brysson's 'Curious Collection' (1791)
Q:1/4=40
L:1/4
M:2/4
K:D
A/|dd|(d/c/).B/.A/|dd|(d/c/).B/.A/|dd|d/f/a/f/|e/c/A|AA/G/|\
F/A/d/f/|a/f/g/e/|d/B/A/G/|.Fz/A/|B/c/d/B/|c/e/c/A/|\
Fd|d3/2z/A/|dd/d/|(d/c/).B/.A/|dd/d/|(d/c/).B/.A/|d/c/d/e/|\
(d/f/)a/f/|e/c/A|.Ag/g/|f/e/f/g/|af/d/|d/B/A/G/|.Fz/A/|\
B/c/d/B/|c/.e/c/A/|Fd|dz/a/|c'/a/f/d/|c/e/c/A/|Fd|dz/|]
   
X:24
T:PEGDRBY4- Eveleen's Bower (Pretty Girl of Derby, O)
S:Stevenson & Moore's 'Irish Melodies', 2nd issue, 1807/8
Q:1/4=120
L:1/4
M:C
K:A
E/|AA/ A/ A/G/ F/ E/|E/ A/AA/G/ F/E/|AA? A/ A/4 c3/4 e/c/|\
B/4G3/4 EEz/d/|(c/B/) c/ d/{d/}e c/ G/|A/4 F3/4 E/D/ D/C/ D/E/|\
E3/4 G/4 A/ F/ B/A/ G/ F/|EAAz/E/|AAA/G/ F/ E/|D/A/ A A/G/ F/E/|\
A A3/4 A/4 A/c/ e/ c/|B/4G3/4 EEz/d/|c/ B/ c/ d/ ec/ G/|\
A3/4 F/4 E/ D/ D/C/ D/ E/|F/G/ A/F/ B/A/ G/ F/|E/ E/AAz/|]

X:25
T:PEGDRBY5- The Dandy, O
S:from O'Farrell's Pocket Companion, last part, c 1810
Q:1/4=40
L:1/4
M:2/4
K:D
A/|A/d/d/d/ d/c/B/A/|dd/e/ d/c/B/A/|A/d/d/c/ d/f/a/f/|\
e/c/AA3/2f/|g/e/f/g/ af3/4e/4|d/B/A/G/ G/F/G/A/|\
B/c/d/B/ e/c/A/G/|F/A/dd3/2/::A/|F/A/d/e/d ((3A/B/c/)|\
B/d/GG3/2B/|e/g/(f/a/) (g/f/)e/d/|c/e/AA3/2g/|\
f/e/f/g/ a/f/e/d/|d/B/A/G/ (G/F/)G/A/|B/c/d/B/ e/c/A/G/|\
Add3/2|]

X:26
T:PEGDRBY6- Brandy, O '[The Landlady of France]
N:Song by William Dimond [wrong]
N:Music by Michael Kelly [wrong]
S:musical score in 'Songs in The Foundling of the Forest', c 1815
Q:1/4=120
L:1/4
M:C
K:Bb
F|B/ B/ B/ B/ B/ A/ G/ F/|B/ B/ B/ B/ B/A/ G/ F/|\
B/ B/ B/ B/ B/ d/ f/ d/|c3/4A/4 F3/4G/4F||d|\
e/ c/ d/ e/ f/ d/ c/ B/|B/ G/ F/ E/ E/D/ D/ F/|\
G/ A/ B/ G/ A/ c/ A/ F/|GB3/4c/4 B|]

X:27 
T:PEGDRBY7- Brandy O, or Peg of Darby
S:Riley's Flute Melodies, I, #164, 1815.
Q:1/4=60
L:1/4
M:C
K:D
A|A/d/d/d/ (d/c/)B/A/|A/d/d/d/ (d/c/)B/A/|A/d/d/d/ (d/f/)a/f/|\
eAAz/|G/||g/|f/e/f/g/a "f?"g/d/|d/B/ A/G/ {G/}FG/A/|\
B/c/d/B/ e/d/c/B/|Addz/f/|\
(g/4f/4g/4a/4) (b/4a/4b/4c'/4) d'/a/f/d/|\
(g/4a/4b/4a/4) (g/4f/4e/4d/4) {d/}cA/d/|B/c/d/B/ e/d/c/B/|Add|]
  
X:28
T:PRTYPEG- Pretty Peggy, O. Dodd, Mead & Co. NY, 1880
S:from Ed Cray's xerox at LC Folklore Archive
Q:1/4=120
L:1/4
M:C
K:A
c/3/B/|AE3/4A/4 F/E/ C/E/|EAAA/B/|c/B/ A/B/ c/B/ A/B/|\
ceeB/c/|d/ c/ d/ f/ee3/4/d/4|c/ B/ A/ B/ c c3/4B/4|\
AE3/4/A/4 F/E/ C/E/|FAA2:|]

X:29
T:PERLIRN- The Pearl of the Irish Nation
S:Joyce's 'Old Irish Folf Music and Songs'
Q:1/4=120
L:1/8
M:6/8
K:D mixolydian
G/E/|DEGA2A|A/2d3/2cB2G|EAG EDE|G3E2D|DEGA2A|\
AecB2G|EAG EDE|D3D2||B|cBcd2d|dBAB2G|\
GBd dBA|B3d2D|DEG A2A|A/2d3/2c B2G|EAG EDE|D3D2|]

X:30
T:RAKSMAL- The Rakes of Mallow
S:Riley's Flute Melodies, I (1814)
Q:1/4=40
L:1/4
M:2/4
K:G
G/B/G/B/|G/B/ {c/}G/A/4G/4|F/A/F/A/|F/A/ {B/}(A/G/4F/4)|\
G/B/G/B/|G/B/ d3/4B/4|c/4B/4A/4G/4 F/A/|GG/z/::g/f/4e/4 d/c/|\
B/c/d|g/f/4e/4 d/c/|B/g/A|g/f/4e/4 d/c/|B/c/d|\
c/4B/4A/4G/4 F/A/|GG/z/:|]

X:31
T:BOBJOAN1- Bobbing Joan or the Patriotic Diggers
Q:1/4=120
L:1/4
M:3/4
K:E dorian
f/d/d/A/d|f/d/d/A/ c/e/|f/d/d/A/d|e/f/e/A/ c/e/::\
d/a/a/g/ f|d/a/a/g/ f/a/|b/a/g/f/g|e/g/4f/4 e/d/ c/e/:|]

X:32
T:TEGRMBL1- Teague's Ramble
S:from Cooke's Selection', c 1795 & Hime's, c 1805
Q:1/4=120
L:1/8
M:6/8
K:Dm
A|d3/2e/2d/2e/2 f3/2a/2g/2f/2|ecc c2A|\
d3/2e/2d/2e/2 f3/2a/2g/2f/2|eAA A2f/2g/2|\
a3/2b/2a/2b/2 g3/2a/2g/2a/2|\
f/2e/2f/2a/2g/2f/2 {f}e2e|\
f/2e/2f/2g/2a/2f/2 g/2f/2g/2a/2b/2g/2|add d2|]

X:33
T:TEGRMBL2- Nell of Connaught
S:Oswald's CPC, bk 9, c 1760
Q:1/4=120
L:1/4
M:3/4
K:Dm
A|d3/2e/d/e/|f3/2a/g/f/|ecc|c2A|d3/2e/d/e/|db/g/e/d/|~^cAA|A2::\
f/g/|a3/2b/a/b/|g3/2a/g/a/|f/e/f/a/g/f/|e2A|f/e/f/a/g/f/|\
g/^f/g/b/a/g/|add|d2:|]

X:34
T:TEGRMBL3- The Irish Lady or Anniseed water Robin
S:Dancing Master from 1651
Q:1/4=120
L:1/4
M:3/4
K:Am
def|efg|c2c|c2d|d3/2 f/e/g/|cde/d/|cAA|[1 A3:|[2 A2||\
G|FFF|F3/2 E/D|fff|f3/2 e/d|e2f|g33/2 f/e/f/|d2A|[1 d2:|[d3|]

X:35
T:UNALOCK- An Irish Air (Una's Lock)
S:SMM #477
Q:1/4=120
L:1/8
M:6/8
K:Dm
F|F2FF2G|F3E2E|D2DE2F|G2FE2A|A2GF2E|D3D2^c|d2AA2G|\
F2ED2^c|d3A2^c|d3A2^c|d2fe2d|=c2=BA2B|c3G2=B|c3G2=B|\
c2_ed2c|_B2AG2d|d2^cd2=B|c2=Bc2A|d2fe2d|\
c2BA2G|F2FF3/2G/F|E2EE2^c|d2AA2G|F2ED2|]

X:36
T:YNGMNDM1- The Young Man's Dream
S:SMM #126
Q:1/4=120
L:1/4
M:3/4
K:Cm
G/|c/ d/e(d/c/)|(e/4d/4) (c/4=B/4)cG|c/ d/{f/}ed/c/|\
(e/4d/4) (c/4=B/4)c3/2G/|c/d/{d/f/}e(d/c/)|(e/4d/4) c/4=B/4cG|\
c/ d/ ed/c/|(e/4d/4) (c/4=B/4)c||(e/d/4c/4)|\
B3/4 A/4G(F3/4G/8A/8)|G/ F/ E3/4D/4C|E/ F/G(A/G/)|\
(F/4A/4) (G/4F/4)Ee3/4c/4|B3/4 A/4G(F3/4G/8A/8)|\
G3/4 F/4 E3/4D/4c|E/ F/ (G/c/B/) A/|G/4F/4 E/4D/4 C3|]

X:37
T:YNGMNDM2- I dream'd I lay (Young Man's Dream)
S:SMM #146
Q:1/4=120
L:1/4
M:3/4
K:F
D|F/ G/AA|B/ (A/4G/4)AD|F3/4 G/4A3/2(d/c/)|B/ A/4G/4 {G}F3|\
F3/4 G/4 AA|B/ (A/4G/4AD|F3/4 G/4A(d/c/)|B/ (A/4G/4)F2||\
c/ d/4e/4fe|d3/4 c/4d(c/4A3/4)|c/ d/4e/4f(e/f/4g/4)|\
(f/4e/4) (d/4c/4)d2{e/}|f3/4 e/4 d(d/c/)|\
B/ A/4G/4AD|F3/4 G/Ad/4c/4|B/ A/4G/4F2|]

X:38
T:YNGMNDM3- The Young Man's Dream
S:from Cooke's Selection', c 1795 & Hime's, c 1805
Q:1/4=120
L:1/4
M:3/4
K:G
G3/4A/4Be|d/A/BE3/4F/4|G/A/B/e/d/c/|B/A/G2::d/B/gf|e/^d/eB|\
d/B/gf|e/^d/e3/2 f/|g/f/ed|B/A/BE3/4F/4|G/A/B/e/d/c/|B/A/G2:|]

X:39
T:SHAMBUY1- Shambuy
S:from Rutherford's 60 CD's
Q:1/4=40
L:1/8
M:6/8
K:D
D2A AFA|B/c/dF ~E2D|D2A AFA|B3d3|D2 A AFA|B/c/dF E2D|\
(d/e/f)d c/d/ec|B3d3::d/e/fd c/d/ec|B/c/dF~E2D|\
d/e/fc c/d/ec|B3d3|d/e/fd c/d/ec|B/c/dF ~E2D|D2A AFA|B3~d3:]

X:40
T:SHAMBUY2- Pot Stick
S:Kidson's 'Old English Dances'
Q:1/4=40
L:1/8
M:6/8
K:D
D2 A AFA|B/c/dF E2D|D2 A AFA|B3d3:|\
d/e/fd ecA|B/cdF E2D|d/e/fd ecA|B3d3|\
d/c/fd ecA|B/c/dF E2D|DFA AFA|B3d3:|]

X:41
S:SHAMBUY3- The Jockey, Dancing Master from 1688
Q:1/4=120
L:1/4
M:6/4
K:Bb
B2d(dB)d|A2c(cA)c|B2d(dB)d|f3b3|B2d(dB)d|A2c(cA)F|\
(G/A/)BG(A/B/)cA|G3B3::f2g(fd)B|b2g(fd)B|e2g(fd)B|A3c3|\
D2F(FD)F|B2d(cA)F|(G/A/)BG(A/B/)cA|G3B3:|]

X:42
T:SHAMBUY4- She got money by the bargain
S:Songs in Flora's Opera (May, 1730) 
Q:1/4=120
L:1/4
M:6/4
K:G
D|GABBAG|FGAAGF|GABBGB|d3g2D|GABBAG|FGAAGF|GEGFE^D|
E3G2||G|d3/2 e/ddBG|gfedBG|d3/2 e/ddBG|F3A3|\
D3/2 E/DDB,D|EFGAF^D|EGEAGF|E3G2|]

X:43
T:NTLRYST1- To the hundreds of Drury I write
Q:1/4=60
L:1/4
M:9/4
K:G dorian
G/A/|BGBAG^FG3/2 A/B|(Ac)AF3/2 G/AcAc/ c/|BGBAG^FG2D|\
DGGG3/2 B/AB/G3/2||B|B3/2 c/Bd3/2 c/Bf2A|ABccAB c/ A3/2c|\
BGBA^FAG2D|DGGA3/2 B/AB/ G3/2||\
M:3/4
L:1/4
"Chorus"B/(G/A/)^F/ G/A/4B/4|c/4B/4A/4G/4 F/B/ A/4B/4c/4A/4|\
B/G/A/^F/ G|D/G/ G/B/ A/4B/4c/4A/4|B3/4f/4 (e3/4d/8e/8) f|\
c/4B/4A/4G/4 F/B/ A/4B/4c/4A/4|G/g/ (f3/4d/8e/8) f|
(3 d/e/f/ (3 g/d/c/ B/4A3/4|B/G/4B/4 A/^F/4A/4 .G|]

X:44
T:NTLRYST2- The Night Before Larry Was Sretched (corrected)
S:Walker's Hibernian Magazine, 1787
Q:1/4=120
L:1/8
M:9/8
K:Gm
(d6d3)|BAG GA^F G2G|AFF FGF cAz|(d6d3)|BAG GA^FG2G|\
AGF e=ed cA||d|dgg ga^fg2d/d/|dgg gab afd|c=ef fg=ef2d|\
cBA f=ed cA||]

X:45
T:NTLRYST3- The night before Larry was stretched
S:O'Neill's Music of Ireland, #39
Q:1/4=60
L:1/8
M:9/8
K:Gm
(d/2c/2)|B3/2A/G GDG G2B|A3/2G/F FCF ABc|B3/2A/G GDG G2B|\
A3/2B/c cdB AGF|| B3/2c/d ded f2d|B3/2c/d d=ef _ecA|\
B3/2c/d ded d2 d|edc cdB ABc|BAG AG^F G2|]

X:121
T:PGMLK- Douchig for Sort [Pretty girls milking the cow]
S:O'Farrell's National Irish Music, 1804
L:1/8
M:3/8
K:Am
A/B/|cec|BdB|AGG|cec|BdB|A2B|cec|BdB|AGE|\
GED|EAA/B/|A2||B|c3/2d/e/f/|ged/c/|BGB|c3/2d/e|egf|a2b/a/|\
gee|d3/2e/d/c/|BGB|cBA|EAG|A2|]
  
X:46
T:NEDHILL- Yemon O Knock (Ned of the Hill)
S:Oswald's Caledonian Pocket Companion, bk. 11, c 1760
Q:1/4=120
L:1/4
M:3/4 
K:G
G|Gd~(c/2B/2)|ce(d/2B/2)|A(c/2B/2) ~A/2G/2|G2G|\
(G/2B/2)d(c/2B/2)|(E/2c/2)e(d/2B/2)|A(c/2B/2)(A/2G/2)|G2::\
d|g(f/2e/2)a/2g/2|~f(e/2d/2)(g/2f/2)|~e3/2 d/2 B/2d/2|\
e3/2 f/2 g|G/2B/2d(c/2B/2)|ce(d/2B/2)|A{c/2}B(A/2G/2|G2::\
G|(e/2d/2)B(A/2G/2)|c(g/2e/2)(d/2c/2)|A(c/2B/2)(A/2G/2)|\
A2(b/2a/2)|(g/2e/2)d(b/2a/2)|(g/2e/2)(d/2B/2)(d/2B/2)|\
A(c/2B/2)(A/2G/2)|G2:|]


X:47
T:BNYJEAN1- Bonnie Jean
S:Guthrie MS, c 1675
Q:1/4=156
L:1/4
M:C
K:F
c/|c/A3/2F3/2G/|G/E3/2C3/2c/|c/A3/2F3/2F/|G3/2A/B3/2c/|\
c/A3/2F3/2G/|G/E3/2C3/2F/|D3/2G/C3/2C/|DEF2||\
c/A3/2G3/2A/|FGA3/2G/|A/G/E/D/C3/2A/|G/A/F/G/A3/2A/|\
GAB3/2A/|G/A/F/G/A3/2G/|A/G/E/D/C3/2F/|\
D/DG/ C/CC/|DEF3/2|]
  
X:48
T:BNYJEAN2- Bonny Jean
S:Village Opera, 1729
Q:1/4=120
L:1/4
M:C|
K:F
A/G/|F(F/G/4A/4)C3/2 C/|(F/E/) (F/G/) (F/4G/4A/) (G/F/)|\
B(B/4c/4d/) (c/A/) (G/F/)|G(G/4A/4B/)D3/2A/|F(F/G/4A/4)C3/2 C/|\
(D/E/) F/F/(fe/d/)|c/f/ d/c/ (B/4A/4G/) d/c/|A(G/F/)F3/2||\
c/|ff/g/cd/e/|f/c/f/g/ a3/2 g/|ff/g/cd/c/|\
(c3/4d/4 c/)(B/4A/4)G3/2F/|F(F/G/4A/4)C3/2 C/|(D/E/)F(fe/) d/|\
(c/f/) (d/c/) (B/A/4G/4) d/c/|(B/A/) (G/F/)F3/2|]
  
X:49
T:BNYJEAN3- Bonny Jean
S:SMM #54
Q:1/4=120
L:1/4
M:C
K:D
F3/4E/4|DD/4E/4F/A,3/2B/|DD/E/FE/D/|G3/2 B/ A/F/ E/D/|\
E3/4F/4E/ D/B,~F3/4E/4|DF/4G/4A/A,3/2 B,/|DDd~c3/4B/4|\
A3/4B/4A/ F/ E/F/G/ A/|F~E3/4D/4 D||(A/4B/4c/)|\
dd/4e/4f/A3/2B/|d3/4c/4d/ e/fd/e/|f/e/ d/B/ A3/4B/4d/ F/|\
G/F/E/ D/B,~F3/4E/4|DF/4G/4A/A,B,/|DDd~c3/4B/4|\
A3/4B/4A/ G/4F/4 E3/4F/4G/ A/|F ~E3/4D/4 D|]

X:50
T:BNYJEAN4- The Stuttering Lovers
S:Sheet music song, 1906. 'Old Irish Air'  'Words traditional' 
'arranged by Herbert Hughes'
Q:1/4=60
L:1/8
M:6/8
K:G
D|G2G G A B|D2D D2D|G2F G G A|(B3/2 B2) B|c2c c d e|\
d2G (GA) B|A2 A A A B|AzB A zB|A2D D2 D|G2G B B A|(G3G2)|]

X:51
T:JHNAMST- Johnny Armstrong
S:SMM #356
Q:1/4=120
L:1/4
M:3/4
K:G
(G3/4A/4)|{A/}B2{B/}A|{A/4}(GE)D|DEG|{G/}A2(G3/4A/4)|\
{A/4}B2(A3/4G/4)|(GE)D|{D/4}EG(G3/4A/4)|G2G3/4 A/4|\
{A/4}B2(B3/4A/4|{A/4}BED|(DE) (G3/4A/8B/8)|{B/}A2G3/4A/4|\
{A/}B2(A3/4G/4)|(GE)D|{D/}(EG)(G3/4A/4)|G2||\
(B/d/)|e2(e/4d/4B/)|(AG)A|B(ge)|e/ d3/2B|(AB)d|g2e/d/|\
(Be) (e3/4f/4)|e2d|(e3/4f/4 g)f|(e3/4f/4) (e3/4d/4) (B/e/)|\
(d3/4e/4) (d/4B3/4) (A3/4G/4)|{G/}A2B3/4d/4|\
(e3/4f/4g/e/) (d/B/)|(c3/2 B/) A/ G/|(EG) (G3/4A/4)|G2|]

X:52
T:KNDROBN1- Kind Robin
S:Blaikie MS via Glen's ESM
Q:1/4=120
L:1/4
M:C
K:G
GGA/G/E|GGA/B/e|GGA/G/E|G/G/ e/B/AG||\
d/e/B/B/ A/G/E|d/e/d/B/ A/G/e|d/e/B/B/ A/G/E|G/G/e/B/AG|]

X:53
T:KNDROBN2- Robin Cushee
S:McGibbon's 'A Collection of Scots Tunes' [I], 1742
Q:1/4=120
L:1/4
M:C
K:G
G2G3/2 B/|A/B/A/G/ E D3/4E/4|G2G3/2 B/|A/G/A/B/ de|\
G2 (g/4f/4e/4f/4 g/)B/|(c/B/)(~A/G/)ED/E/|GGe(d/B/)|\
d2G2:|de/d/Bg/B/|(c/B/)(~A/G/)E2|d(e3/4d/4){c/}B~A3/4G/4|\
ABe2|de/f/gB|(c/B/)(~A/G/)E#(D/E/)|GGe(d/B/)|d2G2:|]
  
X:54
T:OLDSIMN3- Auld Sir Simon the King
S:SMM #344
Q:1/4=60
L:1/8
M:9/8
K:F mixolydian
F|G3/2 A/ B B3/2 c/ BB2F|G3/2 A/ B B c d e2 B|\
{A/4}G3/2 F/ E E3/2 F/ E GA B|c c B A3/2 G/ AF2||\
g|f3/2 g/ e d3/2 e/ c B g|f3/2 g/ e3/2 d/ B3/2 d/ e2(B/_A/)|\
G3/2 F/ E E3/2 F/ E G/ A3/2 B|c d c B3/2 A/ G F2|]
 
X:55
T:KISTSLP- We're a' Kiss'd Sleeping
S:Oswald's CPC, bk. 11
Q:1/4=30
L:1/4
M:2/4
K:B phrygian
(B/4A/4)|GD|^F/A(B/4A/4)|GD|G/gd/4e/4|^f/f/ g/4f/4e/4d/4|\
c/4_B/4A/4G/4 =F/(e/4^f/4)|g/(f/4e/4) d/4c/4B/4A/4|G/B:|\
b/a/|gd3/4e/4|=f/ a(b/4a/4)|gd/e/4=f/4|g/4f/4g/4a/4 g/d/4e/4|\
=f/f/ g/4f/4e/4d/4|c/4=B/4A/4G/4 F/(e/4^f/4)|\
g/(f/4e/4) (d/4c/4)(B/4A/4)|G/B:|]

X:56
T:JNDNGWV1- Jenny beguil'd the Webster
S:(Jenny dang the weaver) Orpheus Caledonius, II, 1733
Q:1/4=120
L:1/8
M:C
K:D
d|d A A A A F A A|A B d ef2e d|g B B d B A B d|A B d e f2e d|\
d e f d e f g e|d e f d e2d B|d e f d e f g e|g a A g f2 ed|]
   
X:57
T:BRDRWDO1- Oh Onochie O
S:Caledonian Pocket Companion
Q:1/4=120
L:1/4
M:3/4
K:G
G3/4A/4|B2c|{B/}A2(G3/4A/4)|{A/}B2{E/}D|{D/}E2D3/4E/4|\
GGg|{f/}e2d|(e/d/)(c/B/)d|{d/}e2G3/4A/4|B2c|\
{B/}A2G3/4A/4|{G/A/}BED|E2(G3/4A/4)|BB(d/B/)|\ 
{B/}AA(B/A/)|G3/2 e/F|G2||(f/g/)|a3/2 g/f|(ef)g|f/e/^de|\
B2(G/4A/4B/4c/4)|dd(g/f/)|e3/2 f/g|d(e/d/)(c/B/)|\
{B/}A2 (d/c/)|(Bc)d|eFG|d3/4B/4AG|d2g3/4f/4|\
e3/2 d/ (B/4d/4e/)|d3/2 B/ (A/4B/4d/)|\
.B3/2 A/ (B/4A/4G/4A/4)|G2|]

X:58
T:BRDRWDO2- Onochie Oh  .. Irish Air 
S:Corri's Collection
Q:1/4=120
L:1/4
M:3/4
K:Em
E3/4F/4|{F/}G2G|{G/A/}B2A|(BE)G3/4^D/4|{D/F/}E2z|G3|\
{G/B/}(A3/2 G/ A)|A/ B3/2 d|e2E3/4F/4|G2G3/4A/4|Gg2|\
d/ B3/2 d{e/}|.e2 e{f/g/}|d/ B3/2 G|{G/A/}B3/2 A/B|\
G/E 3/2 G3/4D/4|{D/F/}E2|]

X:59
T:FLWRER1- The Flowers of the Forest
S:SMM #63
Q:1/4=120
L:1/4
M:C
K:Bb
FF3/4 G/4 ((3 F/G/B/) (c3/4d/8e/8)|\
{e/}d(c/B/) ((3 G3/4B/4  G/)F/ D/|\
((3 C/D/F/) (F3/4G/4) ((3 F/G/B/) (c3/4d/8e/8)|d~c3/4B/4B2|\
F F3/4 G/4 ((3 F/G/B/) c3/4d/8e/8)|\
{e/}dc/B/ (G3/4B/4)((3 G/F/D/)|\
((3 C/D/F/) (F3/4G/4) ((3 F/G/B/) (c3/4d/8e/8)|\
d~c{B/c/}B2||_A(A/4c/4) B/4A/4G((3 F/G/B/)|\
F/d/ ~c3/4B/4 (G3/4B/4 (3 G/F/D/)|\
_A(A/4c/4) (B/4A/4)G((3 F/G/B/)|\
F/d/ ~c3/4B/4B2|_A(A/4c/4) (B/4A/4)G((3 F/G/B/)|\
f/4d3/4 ~c/B/ (G3/4B/4 (3 G/F/D/)|\   
((3 C/D/F/) F3/4 G/4 ((3 F/G/B/) c3/4e/8e/8|d~c{B/c/}B2||\
d/f/ f3/4 g/4 {g/}f(e/d/)|(f/d/) (c/B/) ((3 G3/4B/4 G/)F/ D/|\
d/f/ f3/4g/4 {g/}fe/d/|(c/4d/4e/4d/4) ~c3/4B/4 B3/2 c/|\
d/f/ f/g/ {g/}fe/d/|f/d/ c/B/ ((3 G3/4B/4 G/)F/ D/|\
(3 C/D/F/ F3/4G/4 ((3 F/G/B/) (c3/4d/8e/8)|\
d~c3/4B/4 B2||_A A3/8c/8 B/4A/4 G ((3 F/G/B/)|\
F/d/ ~c3/4B/4 G3/4B/4 (3 G/F/D/|\
_A (A/4c/4) (B/4A/4)G ((3F/G/B/)|\
F/d/ ~c3/4B/4B2|_AA/4c/4 B/4A/4 G (3F/G/B/|\
(f/d/) (c3/4B/4) ((3 G3/4B/4 G/)F/ D/|\
(3 C/D/F/ F3/4G/4 (3F/G/B/ (c3/4d/8e/8)|\
d ~c3/4B/4 B2|]
 
X:60
T:FLWRER2- The Flowers of the Forest
S:Skene MS via Dauney's 'Ancient Scottish Melodies'
Q:1/4=60
L:1/4
M:C
K:D
dde/f/a/b/|a/f/e/dBA|dde/f/a/b/|a/f/e/d/d2:|\
A/B/ =cB/c/d|Af/e/ d/4B/4A3/2|AB/d/ba/f/|\
e3/2 d/4e/4d2|]

X:61
T:BOBINBED- Bob in the Bed [Planxty Connor]
S:Johnson's Choice Coll'n of 200 CD's, III, 1744
Q:1/4=120
L:1/8
M:6/8
K:G
G3/2A/G FED|E2FG2A|B2Gc2A|B2Gc2A|B3/2c/d EFG|A3/2B/c FED|\
E3/2F/G AGF|G3G,3::d3/2e/d d2d|e2fg3|c3/2d/c cBA|c2de3|\
c3/2d/c EFG|A3/2B/c FED|E3/2F/G AGF|G3G,3:|]
  
X:62
T:GOTOKIE- Gae to the ky wi' me, Johnny.
S:SMM #135 from D. Dow's 
N:'A Collection of Ancient Scottish Music', p. 42, c 1775.
Q:1/4=120
L:1/8
M:9/8
K:Dm
f|c A AA2G F D D|c A AA2c d2 f|c A A A2G F G A|A G F G A c d2||\
c|A c d f3/2 g/ f e d c|A c d f3/2 g/ e f2 c|\
A c d f3/2 g/ f e d c|d c A GA c d2||\
"Chorus"f|c A AA2G F D D|c A AA2c d2f|\
c A AA2G F G A|A G F G A cd2|]

X:63
T:BLWCNDL1- Blow the candle out
S:from Haverty's 100 Irish Airs, 1st series, 1858. Also in
Stanford-Petrie #634
Q:1/4=40
L:1/4
M:2/4
K:Eb
(B/4A/4)|(G3/4A/4) (G/E/)|(C3/4E/4) E/F/|G/A/ {G/}(F3/4E/4)|\
E3/2 (E/4F/4)|(G3/4A/4) (.G/.F/)|(G/c/) (c/d/)|(e/f/) (d3/4c/4)|\
c3/2E/4F/4|(G3/4A/4) (.G/.F/)|(G/c/)(.c/.d/)|\
e3/4g/4 f/4e/4d/4e/4|c3/4d/4 (e/c/)|(B3/4A/4) (G/4F/4)(E/4D/4)|\
(C3/4D/4) E/F/|(G3/4{B/}A/4) (G/4F/4)(E/4D/4)|E3|] 
 
X:64
T:HARTHGH1- Failte na misoq
S:from Oswald's Caledonian Pocket Companion, bk 1, c 1743
Q:1/4=120
L:1/4
M:3/4
K:D
A|d3/2 f/~e3/4d/4|~B2d|A3/2 d/B/A/|~F3/2 E/D|(EF)d|\
{B/}A3/2 G/F/E/|Dd(d/e/)|d2(d3/4e/4)|~f3/4e/4 f/g/f/e/|d3/2 c/B|\
A3/2 d/B/A/|~F3/2 E/ (F/4E/4D/2)|(EF)d|A3/4B/4F3/4A/4D3/4F/4|\
Dd(d/e/)|d2:|A|d/e/f(f/4g/4)a/|~f3/2 e/ (f/4e/4)d/|\
(BA)B|b3/2 a/f|(a/b/a/)g/f/e/|(f/g/)(f/e/)(d/c/)|\
Be(e/4f/4g/)|~e3/2 d/B|(d/c/d/)e/f/g/|{f/g/}a3/2 b/a|\
(b/a/)(g/f/)(e/d/)|d3/2 f/e/d/|~B3/2 A/B/d/|A(g/f/)(e/d/)|\
B A/B/d/F/|~E2D|]

X:65
T:HARTHGH2- Bonny Portmore
S:from Bunting's 1840 collection
Q:1/4=120
L:1/4
M:3/4
K:Dm
G7/8E/8)|.D/z/.DD/4E/4G/|.A/z/.A(G/4A/4B/2)|.cB{A/B/}A7/8G/8|\
E2{A/}G7/8E/8|D/z/D(D/4E/4G/)|AB(A7/8G/8)|EDD|D2(G/4A/4B/)|\
c/z/c{c/}(B7/8A/8)|.B/z/.B{B/}(A7/8G/8)|.c.B{B/}(A7/8G/8)|\
E2(G/4A/4B/)|c/z/c{c/}(B7/8A/8)|(G7/8B/8)d(B7/8A/8)|\
(G7/8E/8)(C7/8D/8) (E7/8C/8)|.D.D|]

X:66
T:GAYLYYT1- We're gayly yet (for 1st part)
S:from single sheet song with music, c 1745
Q:1/4=120
L:1/8
M:6/8
K:D mixolydian
G|G2d d c B|A2e e3/2 f/ g|G2B/ c/ d B d|G2dd2c/B/|\
c e cB2B|A B Af2e/ f/|g3/2 f/ e2 g G|G2dd2|]

X:67
T:GAYLYYT2- We're gayly yet (for 2nd part)
N:from single sheet song with music
Q:1/4=160
L:1/8
M:9/8
K:D mixolydian
D|G2gd2Bd2B|G2gd2Bd2B|G2g d c B c d e|=f2AA2Bc2:|\
B/A/|G2G B A B c2 B/A/|G A G B A B c2 B/A/|G A G B A B c d e|\
=f2A A A B c2:|]

X:68
T:MGYLWDR1-  Moggy Lauther
S:Neals' Country Dances, Dublin, c 1726
Q:1/4=120
L:1/4
M:C|
K:G
GzGz|GzGz|A3/2 B/ A3/2 G/|F2A2|BGGG|G2G2|d3/2 e/ d3/2 c/|\
B2c2|:d3/2 e/dB|c2B2|A3/2 B/ A3/2 E/|F2A2|B3/2 c/ B3/2 G/|\
c2(BA)|(B/c/d)(AB)|G2G2:|]

X:69
T:MGYLWDR2- Moggy Lawther
S:from The Quaker's Operaa, 1728
Q:1/4=120
L:1/4
M:C
K:A
B/|A3/4B/4A3/4A/4 A3/4B/4A3/4A/4|B3/4c/4B3/4A/4 G3/4A/4B3/4B/4|\
c3/4A/4A3/4A/4 A3/4B/4A3/4A/4|c3/4d/4e3/4d/4 c3/4d/4e3/4e/4|\
f3/4e/4d3/4c/4 d3/4c/4B3/4c/4|d3/4e/4B3/4A/4 G3/4A/4B3/4B/4|\
A3/4G/4F3/4E/4 D3/4C/4B,3/4d/4|c3/4d/4B3/4c/4 AA|]

X:70
T:MGYLWDR3- Moggy Lawther on a day
S:from The Beggar's Wedding, 1729
Q:1/4=120
L:1/4
M:C|
K:G
D/|G3/4A/4G/G/ G3/4A/4G/G/|A3/4B/4A/G/ F3/4G/4A3/4A/4|\
B3/4G/4G/G/ G3/4A/4G/G/|B3/4c/4d/c/ B3/4c/4d3/4d/4|\
e3/4d/4c3/4B/4 c3/4B/4A3/4B/4|c3/4B/4A3/4G/4 F3/4G/4A/A/|\
G3/4F/4E3/4D/4 C3/4B,/4A,3/4c/4|B3/4c/4A3/4B/4FG|]

X:4
T:ALYCRK2- Untitled tune (Maggie Lawder)
S:from 'Britons Strike Home', 1739
Q:1/4=120
L:1/4
M:C
K:A
G/|A3/4B/4A3/4A/4 A3/4B/4A3/4A/4|B3/4c/4B3/4A/4 G3/4A/4B3/4B/4|\
c3/4A/4A3/4A/4 A3/4B/4A3/4A/4|c3/4d/4e3/4d/4 c3/4d/4e3/4e/4|\
f3/4e/4d3/4c/4 d3/4c/4B3/4c/4|d3/4c/4B3/4A/4 G3/4A/4B3/4B/4|\
A3/4G/4F3/4E/4 D3/4C/4B,3/4d/4|c3/4d/4B3/4c/4AA|]

X:71
T:PATRARK- The Auld Criple Dow
S:from Rutherford's 24 Country Dances for 1758
Q:1/4=120
L:1/4
M:C|
K:F
c/|(d3/4d/4f3/4a/4) g/f/e/c/|d/e/f/c/ f3/2 c/|\
d3/4e/4f3/4a/4 g/d/e/c/|A/4A/4A/ A/c/ {e/}f::c/|\
A/F/F/A/ B/G/G/B/|A/F/F/A/ d/e/f/c/|A/F/F/A/ B/G/G/c/|\
A/G/A/c/{e}f:|]

X:72
T:CLTCLDN1-  Clout the Cauldron
Q:1/4=120
L:1/4
M:C
K:G mixolydian
c/ c/ c/ c/ c/ c/ c/ e/|d/ c/ B/ A/ BA/ G/|\
G/ c/ c/ c/ c/ c/ c/ e/|d/ c/ B/ A/ B A/ G/|\
d/ d/ d/ e/ a/ g/ e/ c/|d/ d/ d/ e/ ag/ e/|\
e/ d/ d/ e/ a/ g/ e/ c/|e/ d/ d/ e/ ag|]

X:73
T:MSSMARE- The Man has got his Mare again
S:Oswald's CPC, bk. 12, c 1760
Q:1/4=120
L:1/4
M:3/4
K:D
B|A3/4F/4AB|d2e|f(a/f/)(e/d/)|(fe) (d/4e/4f/)|G3/4F/4AB|\
d3/2 e/ f3/4a/4|b3/4a/4f~e|d2::f3/4a/4|\
b3/2 a/ (f/4e/4d/)|~ed(e/4f/4)a/|b3/2 a/ (b/4a/4)f/|\
fe(d3/4B/4)|d3/2 c/ (~B/A/)|(gf)(e/4f/4)a/|b3/4a/4 f~e|d2|]
   
X:74
T:MCPHRSN- Mc.Pherson's Farrewell
S:from SMM #114
Q:1/4=40
L:1/4
M:C
K:E mixolydian
E/|A3/4 B/4 A/ c/ B3/4 c/4 (c/4B/4) A/4G/4|\
A3/4 B/4 (c/4B/4) A/4G/4F3/2E/4F/4|\
A3/4 B/4 A/ c/ (B/4A/4) B/4c/4 {c/}B/ A/4G/4|\
A/ (G/4A/4) (B/4A/4) (G/4F/4)E3/2||\
f/|e/ A/ (c/4d/4) e/4c/4 A/ A/ f/|\
e/ A/ (c/4d/4) e/4c/4 .F {d/e/}f/|\
e/ A/ c/4d/4 e/4c/4 (f/4e/4) d/4c/4 (B/4d/4) c/4B/4|\
A/ G/4A/4 B/4A/4 G/4F/4 E3/2|]

X:75
T:AYWAKIN1- Ay waukin, O
S:from SMM #213
Q:1/4=120
L:1/4
M:3/2
K:A mixolydian
d d3/4 c/4 BAF2|d3/2 c/Bec.A3/4 A/4|dd3/4 c/4 BAF3/2 A/|\
BB/ c/ dcBA||F2FFE2|FFFABd|FFFFE(F/A/)|BAd3/2 c/BA|]

X:76
T:AYWAKIN2- Ay Wakin, O
S:Stenhouse's 'Illustrations' to SMM #213
Q:1/4=120
L:1/4
M:3/2
K:Am
cBAGE2|cBAdBG|cBAGE3/2 G/|AGcBA.G|E2E3/2 D/C2|\
GEAdBG|E3/2 F/ EDC3/2 G/|AGcBAG|]


X:1
T:AYWAKIN3?- Jess Macfarlane
S:David Young MS, 1740. Bodleian MS Don. d. 54
Q:1/4=120
L:1/8
M:C
K:D
e|fA A/A/A "tr"e3/2d/2Be|fA A/A/A "tr"e2 de|\
fA A/A/A "tr"e3/2d/2Be|aedf "tr"e2e:|\
e|fdef "tr"d3/2d/Be|fdfd "tr"e2 de|fdfd "tr"e3/2dBe|\
aefd "tr"e2d:|]

X:77
T:HEXMLSS-  The Hexamshire Lass
S:from Northumbrian Minstrelsy
Q:1/4=120
L:1/4
M:3/2
K:D
Dc/ d/ B A/ F/ (EC)|dc/ d/ B A/ d/ eE|\
dc/ d/ BA/ F/ E (F/A/)|B(A/c/)d(A/F/) (ED)||\
GB/ G/F(A/F/) (ED/) D/|GB/ G/FA/ B/(=cE)|\
FB/ G/F(A/F/)E(F/A/)|B(A/c/)d(A/F/) (ED)|]

X:78
T:KATYCRL- Katy Cruel
S:Allen Family songs, 1899
Q:1/4=20
L:1/4
M:2/4
K:Am
A|A/ B/ c/ A/|B3/4 B/4 A/ B/4 B/4|c/ A/ B/ G/|A/ B/ c/ A/|\
G3/4 G/4 E/ G/|G/ A/ G/ E/|G A/4 A/4 A/4 A/4 |Ec3/4 d/4|\
e/ E/ E/ E/|Az||"Chorus"A/ A/4 B/4 c/ A/4 c/4|B/ G/ A/ A/4 B/4|\
c/ A/4 c/4 B/ G/|A/ B/ c/ A/4 A/4|G/ E/ G3/4 G/4|\
G/ A/4 A/4 G/ E/|GA/4 A/4 A/4 A/4|Ec3/4 d/4|\
e/ E/ E/ E/|A|]

X:79
T:SLYLDMN1- An the Kirk wad let me be (Wully Honey)
S:Mitchell's Highland Fair, 1731 (An Old Man Taught Wisdom, 1735)
Q:1/4=120
L:1/4
M:9/4
K:Dm
C|F3/2G/FAcdcAF|G3/2A/FGAcd2f|F3/2G/FfedcAF|GABAGFD2::c|\
fcffgfedc|dcdf3/2g/ag2f|fcffgfedc|(d/e/f)dcAFA2:|]


X:80
T:SLYLDMN2- The Blythsome Bridal
S:from Orpheus Caledonius, I, 1733
Q:1/4=120
L:1/4
M:6/4
K:G dorian
C|F3/2 G/FAcd|cAFGAF|(GA)cd2c|F3/2 G/Ffed|cAFGAc|(AG)FD2||\
c|fcffgf|edcdcd|(fg)ag2f|fcffgf|edc(d/e/)fd|cAFG2|]

X:81
T:SLYLDMN3- Silly Old Man
S:Walsh's 'Caledonian Country Dances', I, c 1734
Q:1/4=120
L:1/8
M:9/8
K:Dm
C/D/|F2F Ffd cAF|G2F FAc d2f|FAF fed cAF|GAc AGF D2::\
f|fcf f3/2g/f e3/2d/c|dcd f3/2g/a/b/g2f|f3/2g/a gaf e3/2d/c|\
def cAF~G2::\

X:82
T:THRSPSK1- Thrie Sheips Skinns
S:Skene MS via Dauney's 'Ancient Scottish Melodies'
Q:1/4=120
L:1/4
M:C
K:AMixolydian
Ddfg|a2Df|g2fe|a2e2|Ddf/e/f/g/|a2Df|g/e/f/g/ f/d/e/f/|a2e2|\
dded|Dded|edcB|c2A2|de/f/ g/f/e/d/|e/d/e/f/ g/f/e/d/|\
e/f/g/f/ g/f/e/d/|c2A2|]

X:83
T:THRSPSK2- Three sheep skins
S:Dancing Master from 1698
Q:1/4=120
L:1/4
M:C
K:Dmixolydian
G2B3/2 c/|d2B2|c2A2|d2A2::BGGB|AGGB|AGFE|F2D2::\
d3/2 e/ fg|a2f2|g3/2 a/ g/f/g/e/|a2e2::\
fddf|e/r/e/d/ c/d/e/f/|d/e/d/c/ B/c/d/e/|c2A2:|]

X:84
T:GELDHIM- Geld him Lasses, Geld him
S:Oswald's CPC, bk 6
Q:1/4=120
L:1/4
M:3/2
K:A mixolydian
d2A(B/c/)dD|FA2dcB|e2B(c/d/)eE|GB2dc(B/A/)|\
d3/2 e/ (d/e/f/g/) (a/g/f/e/)|df2agf|\
(e/f/)g (f/g/)a(g/a/)b|ge2B~c(B/A/):|\
FDADdD|FA2d~cB|eEGEeE|FB2dc(B/A/):|]
  
X:85
T:JACKLTN- Jack Latin
Q:1/4=40
L:1/4
M:2/4
K:A dorian
(G/4A/4B/4c/4) c/g/|d/B/B/g/|d/B/B/g/|d~B|(G/4A/4B/4c/4) c/g/|\
d/B/B/g/|f/A/A/B/|cB/4A3/4::G/4A/4B/4c/4 d/B/|e/c/e/B/|\
e/c/d/B/|d~B|e/c/d/B/|e/c/d/B/|e/A/A/B/|cB/4A3/4|]

X:86
T:YEJACOB- Ye Jacobites by Name
S:SMM #371
Q:1/4=60
L:1/4
M:C
K:Am
E|A3/4 B/4 A/ G/ EE/ E/|cB/ A/ {A/}B3/2 G/|\
A3/4 B/4 A/ G/ EE3/4 ^G/4|A3||(A/B/)|\
c3/4 d/4 e/ f/ g3/2(f/4e/4)|d/ c/ B/ A/G(c/e/)|\
e/ A/ B/ A/ (E3/4D/4) E/ ^G/|A3|]

X:87
T:BENBOW-  Come all you sailors bold (Admiral Benbow)
S:from 'The Vocal Enchantress', 1783
Q:1/4=120
L:1/4
M:C|
K:D dorian
A/|dd(^c/d/) (e/c/)|A2FA|c2Ae|g3(f/e/)|f(e/d/) (^c/d/) e/c/|\
A2FA|d3||(d/e/)|ffaa|g2(fe)|f(e/d/) (g/f/) (e/d/)|{d/}^c2zG|\
Adeg|f2(f/e/) (d/^c/)|d2A^c|d3"Chorus"G|Adfg|f2(f/e/) (d/^c/)|\
d2A^c|d3|]

X:88
T:BLKBRD1- The Bonny Lass of Aberdeen
S:from Oswald's CPC, bk. 12, c 1760
Q:1/4=120
L:1/4
M:C|
K:Dm
A/|B3/4c/4B3/4c/4A3/2c/|(B/4c/4d/) ~c3/4A/4 G~G3/4D/4|\
Ff(c/B/)(A/G/)|F(E3/4D/8E/8)D3/2::e/|f/F/ f/g/ (f/4g/4)a/ g/f/|\
g/G/ g/a/ (g/4a/4b/) ~a3/4f/4|(f/e/) (f/g/) (f/4g/4a/) ~g/f/|\
g/f/~e/d/ cf3/4g/4|a3/4g/4f/a/ g/(f/4g/4) e/g/|\
(f/e/)(d/^c/) d3/4e/4f/d/|~=B/A/ ~G/F/ G/(A/4B/4) A/G/|\
F~E3/4(D/8E/8)D3/2:|]
 
X:89
T:BLKBRD2- The Blackbird
S:from Cooke's Selection', c 1795 & Hime's, c 1805
Q:1/4=120
L:1/4
M:C
K:Dm
(G/A/)|BB/B/ A/G/A/^c/|d/^c/d/A/ {G/}FD|Ff/d/ c/A/G/A/|\
FDD::A|d/e/f/g/ ag/f/|g/f/ g/a/ {g/}fd|d/e/f/g/ag/a/|\
eddf/g/|a/g/f/a/ g/f/g/d/|c/B/c/A/ f {f/g/}a|\
AG/F/ G/B/A/G/|BFB,:|] 

X:90
T:CORNMAN- Cornish Young Man
S:JFSS II, (#6), 1904
Q:1/4=120
L:1/4
M:3/4
K:D
D|DFA|A2(B/=c/)|(dB)A|G2A/B/|=cAA|\
Ad=c|B(A2|A)zA|dAG/ G/|FED|\
BA(B/=c/)|d2D|FGA|BGE|E(D2D)z|]

X:91
T:SUPGDWSK- We all take a sup of it in our turn
S:O'Farrell's 'Pocket Companion', II, p. 119, c 1810.
Q:1/4=120
L:1/8
M:6/8
K:D
Add dcd|e2cA2A|Aee e3/2f/2g|a2fd2a/g/|(f3/2g/a) agf|\
b2ge2(g/f/)|e3/2f/g (gfe)|a2fd2A|Add cee|fdd gee|\
(fg)a (gf)e|d3z2A|Add cee|fdd gee|(fg)a (gf)e|d6|]

X:92
T:IRWSHWMN- The Irish Waterman (Washerwoman)
S:from J. Brysson's 'A Curious Collection' n.d. (1791)
Q:1/4=120
L:1/8
M:6/8
K:G
d/c/|(BG)G (DG)G|BGB dcB|(cA)A DAA|cAc edc|\
(BG)G (DG)G|BGB dcB|(d/c/B)c Adc|BGGG2::( g/a/)|\
(bg)g dgg|bgb bag|afd Adf|fdf agf|(eg)g (dg)g|\
(cg)g (Bg)g|(d/c/B)c Adc|BGGG2:|]

X:93
T:BOBTAIL- The Bob-tail Lass
S:Achilles, 1733
Q:1/4=120
L:1/8
M:6/8
K:Dm
A|d2e fed|c2BA2B|AGFG2A|(d3d2)::e|\
f2c cfe|f2c dfe|fed cBA|(G3G2)A/B/|cec FGA|c2cF2A|\
GAGA2^c|(d3d2):|]

X:94
T:LRRYGF- Larry O'Gaff
S:Stanford-Petrie #373, One Hundred Irish Airs, III, 1859
Q:1/4=120
L:1/8
M:6/86
K:D
(3 A/B/c/|d3/2D/2D FED|A3/2B/2A AFD|GBG FAF|GEF GAB/c/|\
d3/2D/2D FED|ABA AFD|GBG FAF|E3/2D/2DD2||A|\
ABc dcd|efe ecA|Ace ede|fddd2 A/B/4c/4|\
d3/2D/2D FED|ABA AFD|GBG FAF|E3/2D/2DD2|]

X:95
T:SOLDJOY- The Soldier's Joy
S:Vocal Music, c 1778
Q:1/4=120
L:1/8
M:C|
K:D
(FG)|(AF) (DF) (AF DE)|D2d2d2(cA)|(AF) (DF) (AF) (AF)|\
G2E2E2(FG)|AF (DF) (AF) (DF)|D2d2d2(fg)|(af) (df) (ge) (ce)|\
d2d2d2||e2|(fe) (fg) (fa) (gf)|(ed) (cd) (ef) (ge)|\
(fe) (fg) (fa) (gf)|(ed) (cB) A2A2|(fe) (fg) (fa) gf|\
(ed) (cd) (ef) (ge)|(af) (df) (ge) ce|d2d2d2|]

X:96
T:KNDLD- Coy Lass dress'd up in her best Commode and Top-knot
S:Pills, VI, p. 55, 1720
Q:1/4=120
L:1/4
M:C|
K:G
Bded|BGGe/f/|gedB|A3B|ced_f|egfd|d(c/B/) (c/B/) (A/G/)|G3||A|\
FAdD|ABc3/2d/|Bee3/2^d/|e2(f3/2 e/4f/4)|gdec|ecBc|cBAG|\
F3/2G/AB|cBcd|e(f/e/)d(g/f/)|e (a/g/) (f/g/) (a/f/)|g2|]
 
X:97
T:CRABWD- The Yielding Lass (Crab of the Wood)
S:Pills, VI, p. 222, 1720, with 3rd measure as given.
Q:1/4=120
L:1/4
M:6/4
K:G
G|G2ABGA|B2cdBe|(d/B/)dG2A|(B3B2)||d|\
dBeece|(fdf)gea|(fg)adgf|(g3g2)|]

X:98
T:POSIE- The Posie
S:Scots Musical Museum #373
Q:1/4=100
L:1/8
M:C
K:Cm
G2|c =B c d e2 d c|g g f e {e/}d2(c=B)|c =B  c d e2G|\
A G F E F2 z G|c G G G c G G G |A G F E D2 E3/2F/2|\
G3/2 =A/2 =B3/2 c/2 c G G3/2 F/2|E2~D2C2|]
 
X:99
T:WHRGOPM- Where are you going my pretty maid?
S:Stanford-Petrie #774
Q:1/4=100
L:1/8
M:2/4
K:Am
c/d/|(eA) AA|EA AB/c/|(dB) GB|(d2e) e/d/|cB/A/ BA|\
(GA) A(B/c/)|(dB) GB|(d2e) c/d/|e/d/e/^f/ gf/g/|\
a^f gf/g/|ec BA|e^f gc|BAA2|B/c/d/B/ GA/B/|\
cd ec|~B2.A|]

X:100
T:VNSANDS2- Venus and Adonis
S:English County Songs, 1893
Q:1/4=100
L:1/4
M:C
K:Eb
(C/B,/)|EFGc/ c/|B3/4 c/4 B/ A/ (~G/F/) G/ F/|\
EFG/ c/ B/ A/|G~FE:|B|ED(C/D/) E/ G/|F/ E/ D/ C/ B,(E3/4F/4)|\
(G/E/) F/ A2|B2.F(G/B/)|cG/ B/ (.e/d/)(3 c/B/A/|GFE|]

X:101
T:ROBGRNY- Robin and Gronny
S:F. Kidson, JFSS #9, 1906
Q:1/4=100
L:1/8
M:6/8
K:A dorian
D|G3/2 F/ G A3/2 G/ A|B/ E3/2 EE2D|G3/2 F/ G A G A|\
B E3/2 D/E2D|G3/2 F/ G A3/2 G/ A|B3/2 A/ B .e2A/ B/|\
c3/2 B/ A B2F|D3/2 E/ DA2e/ d/|c3/2 B/ A E3/2 A/ ^G|(A3A2)|]

X:102
T:FRDRNKMD- Four Drunken Maids
S:Folger Shakespeare Lib. MS V.a. 410. c 1760
Q:1/4=100
L:1/8
M:C|
K:G
G/A/|BGAFE2GA|BGdB{B/}A3G/A/|BGAFE3G/A/|BGdBG3::B|\
cBcd efge|dBgB A3G/A/|BGAFE3G/A/|BGdBG3:|]
   
X:103
T:LVSGREN1- The Keeper
S:One Hundred English Folksongs
Q:1/4=100
L:1/4
M:4/4
K:D
A|FGAA|Bd{d/}A3/2A/|F(G/ G/)AA|(B/ B/)d{d/}A2|\
d(A/ A/)d(A/ A/)|(d/ d/) (A/ A/)F3/2E/|DeA(G/F/)|E2Dz||\
"Chorus"F/ G/Az2|F/ G/Az2|eAz2|F/ G/ F/ G/E3/2D/|\
DdA(G/F/)|E2DA/ G/|FGAz|z4|dAz2|F/ G/ F/ G/E3/2D/|DdA(G/F/)|E2D|]

X:104
T:LVSGREN2- Amongst the Leaves So Green, O
S:O'Keeffe/ Arnold's tune, from Calliope, 1788
Q:1/4=100
L:1/8
M:C
K:F
A B|c c c c c2 c c|d c B cd2d d|c B A B c2c c|B A G AB2B B|\
A A A A A2A A|B G G AB2A G|F2c2 {e/}d2c B|A2G2F4|:\
"Chorus"A B c2A B c2|A Bc2A Bc2|f2c2f2c2|B G G A {c/}B2A G|\
F2c2{e/}d2c B|A2G2F4:|]
 
X:105
T:CPDRVNG- Cupid's Revenge
S:Single sheet issue
Q:1/4=100
L:1/4
M:C
K:G
G|c3/2 d/ (c/d/)e|d3e|=fA(A/B/)c|B3c|\
dd/ e/de|d3c|BgB(A/G/)|G3||B|\
d3/2 e/dc|BdGd|e3/2 f/g(f/e/)|^dB2(e/f/)|\
gBfB|GEBe|d3/2 B/ (A/B/)c|B/ G3/2 z/c/A|\
d/Bz/g/ge/|d3/2 B/ (A/B/)c|B/G3/2z|] 

X:106
T:PRESBCAT- The Presbyterian Cat
S:Single sheet issue
Q:1/4=100
L:1/4
M:C|
K:Gm
D/|G3/2^F/G3/2F/|G2zz/A/|B3/2 c/~c3/2 (B/c/)|d2zz/D/|\
G3/2^F/G3/2A/|B3/2A/B3/2A/|B3/2c/~c3/2(B/4c/4)|d3z/|(d/4e/4)|\
f3/2 (e/4d/4)e3/2 d/4c/4|~A2B3/2(c/8d/8e/4)|d3/2 (c/B/)A3/2B/|\
B3z/D/|G3/2A/B3/2A/|B3/2c/d3/2(g/4f/4)|e3/2(d/4c/4)A3/2G/|G3z/|]

X:107
T:GSPJOAN- Gossip Joan
S:Single sheet issue
Q:1/4=100
L:1/4
M:C|
K:G
d|gGBc|d3(c/B/)|cADc|cBzg|dd(dc/B/)|ccdD|cccB/A/|BBBD|AAAG/F/|\
G3g|dgdg|(a/g/f/e/ d)c|B2A2|G3|]

X:108
T:LADYSCS- The Ladies Case
S:Muses Delight, 1754, by Mr. Gouge
Q:1/4=100
L:1/4
M:C
K:Am
E|A2B^G|A2Bc|d2cB|c3B|c2fe|(dc)BA|A2^GA|B3||c|\
c2eg|d2cB|(cA)Bc|^G3B|(cB)dc|(fe)dc|(BA)B^G|A3|]

X:109
T:HNSCRVL1- A Certain Cure for Jealousy
S:Sing sheet issue
Q:1/4=100
L:1/8
M:6/8
K:D
A|dc B (AG) F|EF G F/E/D A|Bc d e E2|A2A (de) f|Bc d (ef) g|\
cB A (Bc) d|ec2d2B/ c/|dc B (AF) D|GA2D|]

X:110
T:HNSCRVL2- A Painter Once Took Great Delight
S:Robin Hood, 1730
Q:1/4=100
L:1/4
M:6/4
K:G
D|G2AB2c|d2cB2d|e2dc2B|A3A2B|c2de2f|g2fe2d|\
^c2de2f|(d3d2)e/f/|g3f3|G3/2 A/BA2b|g3g2:|]

X:111
T:DRBYRAM- The Ram of Derby
S:British Melodies, c 1810
Q:1/4=100
L:1/8
M:6/8
K:C
G|c2d cde|~c3G2G|A2(G{A/B/}c2)E|{E/}D3z2G|~c2e~e2g|g2c'c'2g|\
acf e3/2f/d|c2cc2G|c2c c d e|c3G2G|A2G{A/B/}c2E|{E/}D3z2G|\
c2c cd e|c3G2G|A2G{A/B/}c2E|{E/}D3zE|C3C D E|G3G E D|C C C CD E|\
G3z2E|C2C CD E|G2G G A B|c d e fd B|c2 e~e2g|~g2c' c'2 g|\
acf efd|c2c~c2|]

X:112
T:ABNYWLL- Father Abney's Will
S:Markham's tune, 1732
Q:1/4=100
L:1/4
M:3/4
K:G
d|B2d|G2G|E2A|F2A|(B^c)d|\
(EA)G|FDD|(G/A/ B)G|c2c|\
(A/B/c)A|d2d/ c/|(B/c/d)e|(Ad)c|BG|]

X:113
T:MTHRSWM1- Mother, May I Go Out to Swim (song)
S:by Lester Keith, 1908 (Slurs missing in meas. 15-6, 31-2)
Q:1/4=100
L:1/4
M:3/4
K:D mixolydian
d|ded|B2B|ABA|E2G|FGG|E2F|(D3|D2)D|\
E^DE|G2A|B^AB|d2d|^cBG|FFE|(A3|A2)d|\
ded|B2B|ABA|E2G|FGF|EED|(B3|B2)B|\
^cBA|^c2A|BAF|B2F|GAB|^c2A|(d3|d)zd|\
d2e|d2e|(d3|d2)d|d2d|d2e|(d3|d)zz|]

X:114
T:MTHRSWM2- Mother, May I Go Out to Swim (chorus)
S:by Lester Keith, 1908
Q:1/4=100
L:1/8
M:6/8
K:G
d e d B2^G|A2BE3|F2GA2F|E3D3|\
D2E G F E|F F GA2D|A2DA2^G|^A3B3|\
d e d B A ^G|A2BE2G|F2GA2^A|^A3B3|\
e2d c c B|A B A E2G|F2ED2B|A3G3|]

X:115
T:LNDNDRY- Name Unknown (Londonderry Air)[Tune from Limavady in
Co. Londonderry]
S:Petrie's 'Ancient Music of Ireland', p. 57, 1855
Q:1/4=60
L:1/4
M:C
K:Eb
D/E/F/|G3/2 F/ (G/c/) (B/G/)|(F/E/)Cz/E/(.G/.A/)|\
B3/2(c/ B/ G/)(.E/.G/)|F2z/D/(.E/.F/)|G3/2 F/ (G/c/) (.B/.G/)|\
(F/E/.C/.=B,/) (C/D/E/F/)|G3/2A/ (G/F/)(E/F/)|E2z/2||\
(.B/.c/.d/)|e3/2 d/ (d/c/)(.B/.G/)|(B/G/)Ez/(.B/.c/.d/)|\
e3/2d/ (d/c/)(.B/.G/)|F2z/(.B/.B/.B/)|g3/2f/ (f/e/) (c/e/)|\
(B/G/)Ez/ (D/.E/.F/)|(G/c/) (B/G/) (F/E/) (/.C/.D/)|(E2E/)|]

X:116
T:LNDNDRY2- A. G. Gilchrist's revised Londonderry Air
S:JEFDSS I, p. 119, 1934
Q:1/4=60
L:1/4
M:3/4
K:Eb
D/ E/ F/|(.G3/4F/4) G/ c/ B/ G/|(F/E/) C/ E/ G/ A/|\
(.B3/4c/4) B/ G/ E/ B/|F3/2 D/4 D/4 E/ F/|\
(.G3/4F/4) G/ c/ B/ G/|(F/E/) C3/4 =B,/4 (C/4D/4) (D/4F/4)|\
(.G3/4A/4) G/ F/ E/ F/|E3/2||B/ c/ d/|.e d/ c/4 c/4 B/ G/|\
(B/G/) E/ B/4 B/4 c/ d/|.e d/ c/ B/ G/|F3/2 B/ B/ B/|\
(.g3/4f/4) f/ e/ c/ e/|(B/G/) E/ D/ E/ F/|\
(G3/4c/4) B/ G/ (F/4E/4) (C/4D/4)|E3/2|]

X:117
T:ALKNMK- Alknomook
S:Ritson's The Scottish Songs
Q:1/4=100
L:1/4
M:C
K:Eb
B|BG3/4 A/4 Bc3/4 B/4|{B/}AF3/4 F/4 F F3/4G/4|\
A3/2 F/4G/4 A/ c/ B3/4 A/4|GE3/4 E/4 Ez/D/|\
FF3/4 F/4 F/4 G3/4 G3/4E/4|D/4B,3/4 B,/ B,/ B, D3/4 E/4|\
FF/G/ A/ c/ B/ z/4 =A/4|GE3/4 E/4 E|]
 
X:118
T:IRGNTMN- The Fine Ould Irish Gentleman
S:Howe's Songs of Ireland, 1864
Q:1/4=100
L:1/4
M:C
K:F
C| F/ F/4 F/4 F/ F E/ F/|G/ F/4 F/4 F/ G/G(C/ C/)|\
G/ G/4 G/4 G/ G/ G/ G/ G/|A/ G/ F/ G/ A3/2 A/|\
A/ A/ A/ A/ A/ A/ A/ A/|B/ A/ G/ A/BB/ B/|\
B/ B/ B/ B/ B/ B/ B/ B/|c/ B/ A/ B/ cF|F/ f/fed|d3/2c/ c3/2 c/|\
c/B/ A/ B/ AG|F2z|]

X:119
T:ROWAPRN1- The rown't in her apron
S:Scots Musical Museum, #424
Q:1/4=120
L:1/4
M:C
K:Dm
FFcA/ G/|F(G/A/)c2|fdd*B/A/)|G(A/c/)d3/2e/|ff/ f/ f (g/a/)|\
F3/4 F/4 (F/G/) (B/A/) G/ F/|Gfd(c/A/)|G2F2|]

X:120
T:ROWAPRN2- O gin my love were but a rose (Under her apron)
S:Scots Musical Museum, #562
Q:1/4=120
L:1/8
M:6/8
K:Cdorian
G2Gc2c|(B3/2A/) GG2F|G2Ge2e|B2df2f|g2f (ed) c|(BA) GG2F|\
G2G (cd) e|(dc) =Bc3||"Chorus"G2Gc2c|BA GG2F|G2G e3/2 f/ e|\
B2df3|g2f (ed) c|BA GG2F|G2G cd e|(dc) =Bc3|]

X:122
T:TOMTINK- Tom Tinker
S:Pills to Purge Melancholy, II, 1712, and VI, 1720
M:3/4
L:1/4
K:C
gg/a/(b/g/)|c'gg|ec(c/d/)|c2G|c/d/c/d/ e/f/|\
ggd|BG(G/A/)|G2||d|d3/2e/ d/c/|BGG|e3/2f/e/d/|\
cAAf3/2g/f/e/|dBg|ec(d/d/)c3|]

X:1
T:The Beggar's Meal Pokes, Compos'd by King James th 6th
S:J. Oswald Caledonian Pocket Companion, Bk 9, c 1758.
Z:Bruce Olson
Q:1/4=120
L:1/8
M:C
K:G
G|(GA)(Bc)d2 GG|Gggf e3/2 d|gbag (ed)eg|dB"tr"AG A3:|\
(cB)cd e2 ef|(gf)ga {g/}f3/2 d|(ba)(gf) (e2 f)g|d(BA)B G3:|]