X:1 T:T201A- Bessie Bell S:Nelly Diem's translation from the Guthrie MS, c 1675 L:1/8 M:3/4 K:G B,3/2D/D D2G|E3/2D/EC3|B,3/2D/DD2E|G3B3|\ B,3/2D/DD2G|E3/2D/EC3|cdBc2A|G3B3||\ B3/2A/B G2G|A2F cBA|B2G GAB|c6|\ B3/2A/B A3/2G/F|A2FA2c|BAG AGE|G3B3|] X:2 T:T201B- Bessy Bell and Mary Grey S: Orpheus Caledonius, I, 1733 L:1/8 M:6/8 K:D A|F3/2G/ A (A3/2B/) =c|(B3/2A/) BG2G|(F3/2G/) A (A3/2B/) A|\ d3({d/e/}g2)A|(F3/2G/ A (A3/2B/) =c|(B3/2A/) G g2e|\ ({f/g/}a2 (g/f/) ({e/f/}g2) (f/e/)|d3({d/e/}f2||\ a|(f3/2e/) f (d3/2e/) f|(ge) =c (ef) g|(af) d (d3/2e/) d|\ ~f3 g2 (f/g/)|(af) d (fg) a|(ge) =c (ef) g|\ ({f/g/}a2(g/f/) ({e/f/}G2) (g/f/)|d3({d/e/}f2)||] X:3 T:T202- Mary Gray S:Bremners Reels, c 1760 L:1/8 M:C K:Gmixolydian dGBG cF "tr"A2|dGBG gd"tr"B2|dGBG cF (AA/B/|d)cB"tr"A G2(G/A/B)::\ DDFA AG"tr"A2|GGBd gd "tr"B2|DDFA cF "tr"A2|\ |({B/c/}d)cBAG2(G/A/B):|] X:4 T:T203- The Dawning of the Day S:S. Holden's A Collection of Old Established Irish Slow And Quick Tunes, c 1805 L:1/4 M:C %J:1# K:G d|d3/2c/ B3/4A/4B3/4^d/4|eEEG3/4A/4|Bd3/4c/4 B3/4A/4G3/4A/4|\ G2G::\ d|g3/2f/e3/2^e/2|f3/2d/B3/2B/|ccB/A/G/^d|e2ef3/2/e/2|\ d3/2c/ B3/4A/4B/^d/|eDDG3/4A/4|B/e/d3/4c/4B"tr"A|G2G|] X:5 T:T204A- Montrose Lyns S:Blaikie MS, c 1692 Q:120 M:C K:G G,|B,DEG|BA/G/DE|GAAA/G/|E3D|(F/E/((F/G/) (A/G/)A/G/|\ (A/B/A/)G/DE|d3||a|dBAG|cdeg|(d/g/d)B/ (A/B/A/)G/|A3G|\ FGAG|ABe2|ABAG|A3G|A,DEG|ABeg|(d/e/d/)B/ (A/B/A/)G/|G3|] X:6 T:T204B- Chevy Chace S:Oswald's CPC, bk 5, c 1753 Q:60 L:1/4 M:3/4 K:Amixolydian A|A3/4B/4dd|e3/4f/4A3/2a/2|a/(g/4f/4) {f/}e3/2d/|B2z/A/|\ A/B/dd|e3/4f/4A3/2a/|a/f/ (ef3/4)a/4|A2|] X:7 T:T204C- Chevy Chase (long, Scots, in 6 line verses) S:A Second Set of [30 Scots Songs], Bremner, c 1757 Q:60 L:1/4 M:3/4 K:Gmixolydian D|D3/4 E/4GG|A3/4 B/4DB|c/ B/A3/2 G/|{F/}E2G|\ D3/4 E/4 GG|A3/4 B/4 Dz/ B/|c/ B/ c3/2 d/2|e2e|\ d3/4 B/4 AG|c/ d/ ez/e/|d/ B/ A3/2 G/|E2G|\ D/ E/ AG|A/ B/ cz/e/|d/ B/ A3/2 G/|G2|] X:8 T:T204D- William and Margaret S:Orpheus Caledonius, I, #49, 1733 N:When all was rapt in dark midnight- not Child #77 Q:1/4=60 L:1/4 M:3/4 K:G G|D3/4 E/4GG|A3/4 B/4Dz/d/|d/ (c/4B/4) (c/B/A/) G/|E2G|\ D3/4 E/4 GG|A3/4 B/4Dz/d/|d/ (c/4B/4)(AB/) d/|d2||\ d/|({e/}d/) (c/4B/4) (c/B/A/) G/|c3/4 d/4ez/d/|\ d/ (c/4B/4) (c/B/A/) G/|E2G|D3/4 E/4 GG|A/ B/ gz/(f/4e/4)|\ d/ (c/4B/4)"tr"A3/2G/|G2|] X:6 T:T206- The Lads of Saltcots S:Rutherford's 24 CD's for 1758 Q:80 L:1/4 M:C| j:3# K:A A3/2 c/ B/A/B/c/|A/F/E/F/ B/4B/4B/B|A3/2c/ B/A/B/c/|\ A/F/E/F/ A/4A/4A/A::(e/f/4g/4 a/)c/ ~B/A/(B/c/)|\ e/f/4g/4 a/c/ B/4B/4B/B|(e/f/4g/4 a/)c/ ~B/A/B/c/|\ A/F/E/F/ A/4A/4A/A:|] X:7 T:T207A- The Wild Irishman S:R. Bride's 24 Country Dances for 1770. Q:1/8=240 L:1/8 M:2/4 K:E e3/2f/2g3/2e/2|a3/2f/2g3/2d/2|e3/2f/2g3/2e/2|d2f2|\ e3/2f/2g3/2e/2|a3/2f/2g3/2e/2|g3/2b/2 (3 afd|e2E2||\ (3 age (3 Bdf|(3 Bdf (3 Bdf| (3Bdf (3Bgf|(3Bgf (3fga|\ (3 age (3 Bdf|(3 Bdf "tr"f2|(3 egb (3 afd|e2E2|] X:8 T:T207B- Norickystie or the Wild Irish Man. S:ABC by Jack Campin, from Airds Airs, I, #143, on his website M:6/8 L:1/8 K:D A|d2e f2d|g2e f2d|d2e fed|c3 e3|d2e f2d|g2e f2d|fga gec|d3 d2:: g|fed c2B|ABA A2g|fed c2A|B3 g3|fed c2B|ABA A2g|fga gec|d3 d2:| X:9 T:T208A- Renardine S:S. Holden, 'Collection of Old Irish Slow Airs', II, c 1805 Q:1/4=120 L:1/4 M:C| K:G d/e/4f/4|ge~ed/B/|A3/2G/EG/A/|BBAG|G3:|\ B/c/|dBde/f/|g2fd|e/f/e/d/Bd|\ e3B/c/|dBde/f/|g2fd|e/f/e/d/Bd|e3d/e/4f/4|\ geed/B/|~A3/2G/EG/A/|BBAG|G3|] X:10 T:T208B- The Mountains High S:Mulholland's 'A Collection of Ancient Irish Airs', 1810 Q:120 L:1/4 M:C K:G B/c/|dB{d/}cB/A/|G3/2A/E3/2G/|D3/2E/GA/B/|c3B/c/|dBdB/A/|\ G3/2A/EG/E/|D3/2E/GG|G3||A/B/|BGG/A/ B/c/|ddg/f/ e/d/|\ cB/A/GA/B/|c3B/c/|dBdB/A/|G3/2A/EG/E/|D3/2E/GG|G3||] X:11 T:WMNSWRK1- A Woman's work will never be done [Black Eagle] S:Leyden MS, c 1692 Q:1/4=120 L:1/4 M:C K:Em B,DD3/2E/|D/E/D/B,/D3/2D/|B,EE(G/A/)|B(A/G/) D3/2D/|\ B,DD3/2E/|D/E/D/B,/D3/2G/|G/E/D/E/G(A/B/)|(c/B/)(A/G/)E2||\ G(A/B/)d3/2e/|d/B/A/B/d2|A(B/d/)e3/2f/|e/d/g/f/e3/2d/|\ d(e/f/)g3/2e/|d/c/B/A/G3/2G/|A/B/d/e/ d/B/A/B/|A3/2G/E2|] X:12 T:WMNSWRK2- Woman's work will never be done S:Blaikie MS, c 1692 via Glen's ESM Q:1/4=120 L:1/4 M:C K:Gm DFF3/2 G/|F/G/F/D/F3/2F/|DGGB/c/|dc/B/F3/2F/|DFF3/2G/|\ F/G/F/D/F3/2B/|B/G/F/G/ d c/d/|e/d/c/B/G2||\ Bc/d/f3/2g/|f/d/c/d/f2|cd/f/g3/2a/|g/f/b/a/g3/2f/|\ fg/a/b3/2g/|f/e/d/c/B3/2B/|c/d/f/g/ f/d/c/d/|c3/2B/G2|] X:13 T:WMNSWRK3- The Highway to Edinburgh (Woman's Work/Black Eagle) S:Oswald's CPC4 Q:1/4=120 L:1/8 M:C K:Gm F|D2 F>G F3 G|BG FD F3F|D2G>A G2 b>g|f/g/f/d/ f/d/c/B/ G3F|\ D2F>G F3G|B/G/F G/F/D F3B|G2FGB2cd|c/d/f/d/ "tr"c>B G3::B|\ B2c>d f3g|f/d/c/B/ cd f3f|d2g>a g3a|gf ba "tr"g3f|\ f2g>a {ga}b3g|fd e/d/c/B/ B3B|c/B/d/d/ fg fB|\ B/c/d "tr"c>B G3:|] X:14 T:WMNSWRK3- The Black Eagle S:SMM #228 Q:1/4=120 L:1/8 M:C K:Gm B|(FG)F3B|(FE)|D2G>AG2B>c|\ Bc/d/ c>BG3B|(FG)F3B|FD B,D F2 GA|\ B2cd f3g|(fB {A}G3||\ F|B>c d>e f3g|(fB f2(fe)|\ d2g>a g3a|(ba)(g^f)g3f|(gf) (ga) b3(a/g/)|\ (f